Ilfobrom Vintage Rolls

From the Garden

D
From the Garden

  • 1
  • 0
  • 289
Kildare

A
Kildare

  • 6
  • 1
  • 640
Sonatas XII-26 (Homes)

A
Sonatas XII-26 (Homes)

  • 3
  • 1
  • 736
Johnny Mills Shoal

H
Johnny Mills Shoal

  • 2
  • 1
  • 630
The Two Wisemen.jpg

H
The Two Wisemen.jpg

  • 0
  • 0
  • 586

Recent Classifieds

Forum statistics

Threads
199,296
Messages
2,789,307
Members
99,861
Latest member
Thomas1971
Recent bookmarks
0

BlackCaniche

Member
Joined
Dec 8, 2022
Messages
3
Location
Montreal
Format
Medium Format
Hi all, I recently found 2 boxes of ILFOBROM Vintage paper. These are 2 rolls of 100ft X 20 inches (Grade 1 & 2) never opened. I have been using both grades to print large formats (20X35 inches) and am blown away by this paper. It seems in mint condition (perfectly white, clean, no mold, nothing). Now it is slightly slower than modern FB papers from Ilford, but hardly. It is thin (like most of the older papers) but hang dries very well (only the edges curl a bit). I place my dried prints under a few books for a few days and can dry-mount them with no issues (I use 3M or Scotch pro adhesives in roll formats to mount to back board or plexiglas for the very large prints).

My only question (for now): I noticed thin wrinkles in the paper that seem to appear during the processing once the paper is wet. These are few, and only appear on the outer edges of the paper. I made sure these were not induced by my process (I designed semi-circular trays with an internal rolling weight that allow for the development of 22 X any length prints in 1-1.5L of solution). Can it be that the fibres of the papers have been fragilized with age? To process, the edges of the paper are clamped or stapled to brackets that allow to manipulate the wet paper during processing. I had to prototype a few holders-clamps to allow mounting the paper (which becomes very soft when wet), allowing some shrinkage flexibility while avoiding liquid retention, and thus, contamination). As soon as I place the paper in the wash bath, I notice these wrinkles. All large prints have at least 1.

Hard to find info on this paper, but from the packaging labels, it would seen to date from 1965-70, but not sure about this. I see no sign of such wrinkles when the paper comes off the roll prior to wetting.

(See attached img of the section of the front of a mounted print on a black area of a high contrast print. This is a bout 3 inches in length and length-wise w.r.t. to the roll.)

NB: The image attached is from the net and not the actual boxes, but table are similar. I'll try to take a shot of the actual items at some point.

Thanks for any input on this paper. In any case, I am very happy with this find! Regards.
 

Attachments

  • Screen Shot 2023-06-07 at 3.10.05 PM.png
    Screen Shot 2023-06-07 at 3.10.05 PM.png
    1.3 MB · Views: 54
  • IMG_0675 Large.jpeg
    IMG_0675 Large.jpeg
    179.9 KB · Views: 49

Andrew O'Neill

Moderator
Moderator
Joined
Jan 16, 2004
Messages
12,093
Location
Coquitlam,BC Canada
Format
Multi Format
Toss them. They will have developed massive fog.

If they are heavily fogged, I wouldn't toss them. Sell them to a carbon transfer printer for the cost of shipping.
 

Ian Grant

Subscriber
Joined
Aug 2, 2004
Messages
23,279
Location
West Midland
Format
Multi Format
Toss them. They will have developed massive fog.

I've had much older papers from the 1950s and 60s, including Ilfobrom, Kodak Bromide, Bomesko, etc, that were fine, no fogging, slower and a slight contrast loss but usable with good Dmax. It really depends on how the papers were stored.

Ian
 
OP
OP
BlackCaniche

BlackCaniche

Member
Joined
Dec 8, 2022
Messages
3
Location
Montreal
Format
Medium Format
I guess I was not clear.

My issue is that the paper seems to develop small wrinkles on the edge during development. Otherwise, the paper is LIKE NEW. I have printed several 20X35 inch prints that are AMAZING. No sign of fog, yellowing, nothing. The wrinkles are a very minimal issue, but if I can avoid them... Also curious to know more about this amazing paper.

BTW, fogging is generally an issue with Multi Contrast papers... they can turn purple after just 10 years... Fixed Contrast papers keep amazingly well. I still have stock I bought in Czechoslovakia in 1990!
 

Ian Grant

Subscriber
Joined
Aug 2, 2004
Messages
23,279
Location
West Midland
Format
Multi Format
Ilfobrom creases easily when wet, that's probably your issue.

About 20 years ago the owner of my local pro lab gave me two rolls of Kodak Polycontrast paper, they were a few years old then. One roll had been opened and must have been badly stored, the emulsion is sticking slightly to the base on the roll, the other prints perfectly, like new. Also my Forte Polywarmtone paper is still giving superb results.

Ian
 
OP
OP
BlackCaniche

BlackCaniche

Member
Joined
Dec 8, 2022
Messages
3
Location
Montreal
Format
Medium Format
Thanks Ian. I still have a few sheets of Forte and Foma in my stash. One has the old style pattern or surface texture. These are both much thinner than the Ilfobrom and a lot of "fun" to dry. I will continue to work on my processing supports to reduce stresses when the paper is wet.
 
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom