The downside might be that if newcomers read it, they could be overwhelmed and quit before they even start, thereby stiffling any possible growth in film sales.
Regards,
Dave
Dave,
I'm 'fairly new' to a darkroom, as it's been 20 years since I've stepped foot in one...much less developed film, ect...
I'm pretty positive I'd be in front of the enlarger going, "

WTH?!?!?!?!?!?!?!?!?

"
*shrugs* And I'd have the EXACT same feeling, only I would drown my sorrows with some really killer Belgian chocolate truffles and probably a glass of wine or two and then try it the following day...and take a TON of notes starting the list with "DO NOT TRY THIS AGAIN!" and then the "YEAH BABY!" side of it.
The way I see it, EVERYBODY has a bad day in the dark room. My college days gave me plenty and it was mostly because the dark room had no heat and I was ALWAYS on a deadline. (Enough to give me nervous fits and a serious case of the willies!)
I've been having my own fits with the photog. paper right now...then I read the insert more carefully and found out the ISO is 200. That was a total "D'OH" moment.
To Mats_A :
The whole reason why I even went back to film was because I was THE photographer at my nieces wedding. 2500 photographs later, and sitting in a chair that makes my legs go numb, and I was done, done, DONE with digital. I then promptly went online, bought myself a Lensbaby Muse for my K1000 and ordered film, tank, spool and chems. I've been happy ever since, even when I DO totally screw things up.
THAT is the whole point about photography. It's done because we love it - it's a passion (or in some cases and obsession) and a labor of love.
In the meantime, since I'm literally starting over, I plan to make mistakes and know that 20 years from now, I'll STILL make a mistake.
So, don't worry about sucking.

And when things go that badly, I end up crocheting (south paw). Needless to say, I have a lot of doilies.
Your bad day in the dark room will get better.