Matt5791 said:
I need to get a decent contact printer for 35mm and also one for 120 film.
Which are the best makes? - I know that they are only a simple device, but the one I have at the moment is a rubbish design which is awkward to use and doesnt hold the film flat against the paper - sometimes some frames have looked out of focus only for me to discover that infact they are not.
Thanks for any advice,
Matt
Matt. You don't say what make your contact printer is but I have two Patersons for 35mm and 120 respectively. Both seem to work well. Mine were both secondhand. One obtained from the guy selling me my enlarger etc when I first set up and the other from e-bay.
The key to flatness is the state of the sponge on which the hinged glass presses when it closes on the contact sheet which sits in a slot to keep the sheet lined up with the negs( 6 strips of 6 negs). If the sponge is moth eaten and uneven then it can be scrapped off and replaced but finding the right sponge was difficult. In the end I had to settle for two thinner sponges fixed together. Not ideal but works OK
If I were to buy again on e-bay I'd ask the seller to confirm that the sponge is in good condition.
I used to contact print with just a sheet of glass on the negs when I did the C&G B&W photography course at Leamington but the contact printer is far better. You get to see the frame number and film type and there's a space for the words "Technical Data" and Date and a black line for writing which is printed on by allowing light through the clear lettering strip on the glass sheet.
Pentaxuser