baachitraka
Member

Even, if you are a hunter your sole purpose to get something to cook. Isn't it?
To paraphrase St. Ansel "The recipe is the score and the meatloaf is the performance" LOLI read from in a forum (can't remember if it is in here or LFPF) that you could say that some Photographers are "Hunters" and some are "Cooks". Some can be both while others choose to be only one.
I'm a hunter and a cook. What I am not is a salesman!
Even, if you are a hunter your sole purpose to get something to cook. Isn't it?
I personally think, it is not so easy to imprint your emotions on someone...my 2c..
To paraphrase St. Ansel "The recipe is the score and the meatloaf is the performance" LOL
We are making progress understanding each otherSo why do you feel compelled to imprint your emotions on someone? How about just letting that person... emote... on their own?
Just give one of your prized negs to someone else and enjoy.
~~~
Regarding the musical analogy, well, there are composers who wrote lots of instructions and were very persnickety about performances. And there are equally capable composers who wrote very little, seldom titled their pieces or even gave tempos or other indications, and were known to value differing interpretations. Classic example: the Bach preludes, there is almost nothing to guide the performer... and that has given us a lot of interesting variations. That doesn't devalue the composition in any way.
We are making progress understanding each otherSo why do you feel compelled to imprint your emotions on someone? How about just letting that person... emote... on their own?
Just give one of your prized negs to someone else and enjoy.
~~~
Regarding the musical analogy, well, there are composers who wrote lots of instructions and were very persnickety about performances. And there are equally capable composers who wrote very little, seldom titled their pieces or even gave tempos or other indications, and were known to value differing interpretations. Classic example: the Bach preludes, there is almost nothing to guide the performer... and that has given us a lot of interesting variations. That doesn't devalue the composition in any way.
Henri Cartier-Bresson
He disliked developing or making his own prints. He said: "I've never been interested in the process of photography, never, never. Right from the beginning. For me, photography with a small camera like the Leica is an instant drawing." -Wikipedia.
If you give a birth to a child and you are not interested to raise them up, how can they be such a master piece.
That was Henri Cartier-Bresson's opinion. You may not like it, but that still does apply for those who still shoot slides.
Steve
Unfortunately, most of HCB work are master piece.
Mr. Keith,
This is question by itself, Is it possible to create a master piece(not accidental) when you are not the part of whole?
As usual, Brian has my back covered. Just don't let lxdude back there!
Mr. Keith,
This is question by itself, Is it possible to create a master piece(not accidental) when you are not the part of the whole?
By whole, I assume you mean finished print. But I would suggest the master piece exists at the latent image stage, regardless of whether it is destroyed before process or finished as a naff print or master print.
So you consider the process not to be complete until there is a print. I'd say sometimes it is, sometimes it isn't. A lot of times a print is unnecessary for me and I'd very happily give my negs to someone else to play with. This is why I have some issues with the BTZS approach, I guess
So the bigger question is... what is "the whole" in your way of thinking? Isn't the experience of being there and visualizing and composing the image and enjoying the act of composition enough to constitute a "whole" experience?
You might take interests in Minor White's unconventional "zen" teachings on this subject; see if you can get your hands on Rites and Passages. White was the first master photographer whose thinking made me think I wasn't so weird after allYou know, he led some very unusual seminars and the stories are quite amusing. People would show up expecting to shoot their cameras and instead would wind up meditating on a subject in a circle. Or they'd go out with cameras and not actually take any photographs, or just describe what they see and experience the frustration of not being able to "capture" it. I am not quite that far out there, but I see a lot of value in quietly contemplating/meditating, enjoying the experience, enjoying my company or my solitude, whichever the case may be... and printing if and when I feel like it.
By whole, I assume you mean finished print. But I would suggest the master piece exists at the latent image stage, regardless of whether it is destroyed before process or finished as a naff print or master print.
I like that philosophy. Did I ever tell you about my image that was capable of being a Pulitzer Prize winner. It was outside of Harrods, in Knightsbridge, on a rainy afternoon. I forgot my camera that day... but what an image it was!
I only wonder how easy for someone like HCB who can imprint his(what ever it may be) on someone to bring a Master Piece.
I like that philosophy. Did I ever tell you about my image that was capable of being a Pulitzer Prize winner. It was outside of Harrods, in Knightsbridge, on a rainy afternoon. I forgot my camera that day... but what an image it was!
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