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How/where do you draw inspiration?

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The music of Nick Drake makes me want to make photographs of the autumn.
Miles Davis makes me want to photograph the night, and Dead Can Dance makes me want to photograph dark or mist atmospheres.
...

Me too-love all the above and Brian Eno's ambient stuff has really inspired some of my more minimal landscapes. Also even as a confirmed MF/LF user, I've decided to always carry a 35mm in my pocket just as a kind of photographic sketchbook [some of these images will probably surface in the postcard exchange at some point].
 
Oddly enough - the news. My work deals with entropy and the horrendous state of the world energy situation today. Sift through the nonsense and there is plenty of inspiration in there ;-)
 
I really don't know what to answer.....
everything, I guess... everything new to my eyes... everything i enjoy watching. something old but a glimpse that caught my eye...

this year i have photographed the streets, music shows, theatre, popular marches, landscapes, animals, kids... whatever makes me smile when i look at it without the camera. whatever makes me feel good or gives me the urge to press the trigger. it can be anywhere, anytime. sometimes i'm just laying around the house and suddenly something pops up on my mind that I would like to photograph. If I can, out I go :smile:

i can mix music and reading, but I haven't managed to mix music and photography. to me it's a mixed experience - I need to be hearing the surroundings, the sounds of what I am photographing. And that doesn't exist with music in my head.
 
Finding inspiration, I find, is largely a matter of paying attention to your own responses. If something seems to resonate with you at a given time, look into it. Don't try to force it. Looking for inspiration in something that doesn't excite you is like rooting around for a diamond in a big pile of cow sh*t. IOW, you're not going to find it.

If you pay attention to what you innately respond to, though, that's a good way to get clued in to what is really going to get you going if you don't already know what inspires you already. Even if you do, this sort of mindfulness is still a very valuable exercise as we all change over time and what inspires us today may seem dull and lifeless tomorrow. Pay attention long enough and you begin to be able to make connections between the things you like and this points you toward yet more potential inspiration. We collect these little points of reference over time, and eventually little clusters and connections yield a greater, emergent meaning that can tell us a lot more about what we love, why, and likewise similar things about ourselves. It's a road map to arriving at a gestalt of inspiration unique to our own experience.

For me, it comes from all sorts of things. In non-photographic art it's people like Caravaggio, Titian, Raphael, Rodin, Picasso, Anselm Kiefer, Gerhard Richter, and Lee Bontecou. In photography I look to people like Herb Ritts, Jock Sturges, Mark Seliger, Mark Laita, Phil Marco, Art Kane, Bert Stern, Nobuyoshi Araki, Eikoh Hosoe, Daido Moriyama, and Shomei Tomatsu. In literature it's Vladimir Nabokov, Osamu Dazai, Jeff Noon, Neal Stephenson, William Gibson, John Shirley, Kafka, and Allen Ginsberg. In philosophy/spirituality/intellect there's Kant, Nietzsche, John Daido Loori, Thich Nhat Han [sic], Robert Pirsig, Leonardo da Vinci, etc. The list could go on for dozens of pages. Most of these are things that I've arrived at through the process of paying attention to my own inner responses, which are sometimes very subtle and easily missed.

What I'm getting at is this: the key to finding inspiration is already in you. It's just a matter of paying attention and following the clues that are left you.
 
APUG.

It inspires me to get my butt in gear, and my cameras in hand, and my mind and eye in synch.

Matt
 
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