This excerpt also resonated with me.
When I think about my photographic "career", the best work I ever produced was when I was working in the studio that I shared with my sister in law. I had a method for every time I photographed. Before the client would get there, I had my lights set up, camera settings dialed in, backdrop extended and cleaned. The client would come in with their dog, I'd get to know the dog, I'd introduce the dog to the shooting area, fire the flash a few times to get them used to it, and start in shooting. Throughout the session I never worried about key lights, fill lights, camera setting changes, it was just all there, set up, and I worked with what was there. And it worked. I wonder what is was that made me forget about that process and how satisfying it was.
This shoot was extremely hard. The child wasn't happy, the dogs weren't happy with the unhappy child, and the mother yelling over my shoulder and the unhappy child and dogs wasn't helping much. But in a fraction of a second, I snapped this expression, and this photo remains one of my most proud moments. (ignore the watermark, I thought I was a professional back then.)
DaneParty by
Christopher Coy, on Flickr