Yes, technically ALL photos have a story, even if the story is "oops, I screwed up and triggered the shutter when the camera was pointed at the floor/the gravel driveway/the sky/the palm of my hand/the lens cap was still on/etc". Where the crux of the matter exists is with intention - when a photographer takes a (non-accidental) photograph, they have an intention. The intention could be anything from something as simple as "I was here" (a so-called "record shot", which accounts for 99.999% of all photographs taken) to a visual meditation on the meaning of life as represented metaphorically by xyz. Viewers are always free to interpret the image however they want to, and no matter the photographer's intention, they will, and they will find things in the image that the photographer NEVER intended. THAT does not represent a fault in the photograph/photographer. The fault occurs when NOBODY looking at the image can see what the photographer intended. This is predicated on the notion that the photograph has an intended audience beyond the photographer. If the person taking the photo never shows the photo to anyone but themselves, then it is not subject to external interpretation, therefore it is always 100% successful in telling its story. But if you are intending to share the image with others, then the failure condition applies - if you photograph a rose because it is beautiful to you, but because of how you photographed it, nobody else sees it as beautiful, then the image fails to communicate your intent. As human intent is rarely unique on an astronomical scale, this event is improbable, but not impossible, so total failure is similarly improbable, so the judgement needs to happen on a graduated scale.If a photograph doesn't have a story, wouldn't it be the fault of the viewer and not the photographer?
IDK that is my take on it, maybe I am wrong but in the end an exposure on 35mm film is idk 25 or 30 cents ( not counting processing ) might as well push the buttonessentially lomo is saying get drunk, drive naked, and pray....
... in the end it is supposed to be fun, its just film and perfection doesn't exist... I don't own a lomo but I totally see where they are coming from.
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I get it too. I was just being tongue-in-cheek.
Actually, if you read the propaganda on their website, the philosophy is that there really are no mistakes, and that flaws are cool and beautiful. The serendipity runs deep with them.Maybe these Lomo shooters are thinking that they can fix any mistakes in Photoshop (sound familiar?).
Actually, if you read the propaganda on their website, the philosophy is that there really are no mistakes, and that flaws are cool and beautiful. The serendipity runs deep with them.
Join Photrio.Which leaves us to imagine what they would do to it when they happen to capture a technically perfect photo.
And that could be wondered of all of us, also.Which leaves us to imagine what they would do to it when they happen to capture a technically perfect photo.
My, god, poor Lomo, do we have to have a whipping boy?
When I do venture over to Lomography and scroll though their community photos (https://www.lomography.com/photos?page=1) I'm always greeted with a good number of interesting and creative photos. Not all of course, but enough to hold my attention.Actually, if you read the propaganda on their website, the philosophy is that there really are no mistakes, and that flaws are cool and beautiful. The serendipity runs deep with them.
and others don't fix mistakes in the darkroom ? what is burning and dodging and using filtration for contrast enhancement on photo paper, and / or using selenium or farmer's reducer. comments like this make me laugh because there are always people who use film who are in complete denial that they have done anything but make a print when they enlarge or make a contact print in a darkroom. Just like people who refuse to acknowledge they are manipulating the latent image by using xyz shutter speed or f-stop on their camera. In the end it really doesn't matter, none of it, except for people who seem to not understand what happens when they make a photographic exposure.Maybe these Lomo shooters are thinking that they can fix any mistakes in Photoshop (sound familiar?).
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I get it too. I was just being tongue-in-cheek.
... I think it is great that LOMO has their rules to remind people to enjoy themselves instead of always waiting for perfection that doesn't exist.
I don't think that's going to happen- it's really the antithesis of what they're aiming for. It's a bit like asking what would happen when a dog catches a fish with a rod and reel.Which leaves us to imagine what they would do to it when they happen to capture a technically perfect photo.
I like that, looks like the perfect signature !It is great! Personally, I'm trying to find the happy medium between the Lomo rules, and St. Ansel's rules. I want to be technical enough to pull it off, but careless enough to enjoy it.
That part was more general.I guess I got off on the wrong foot when attempting to be humorous.
I guess I should amend my title, since it's less about seeing, and more about realizing.
There is a word that was bandied around higher up in the thread that may be part of the problem.It is great! Personally, I'm trying to find the happy medium between the Lomo rules, and St. Ansel's rules. I want to be technical enough to pull it off, but careless enough to enjoy it.
... That freeing aspect really helps push my photography, and in a good way, I think. It means I'm paying more attention to composition, framing, subjects, and "the moment" rather than am I using the right f-stop. It's a great exercise, even if you don't want to do that kind of photography as your primary practice.
Bingo!I wouldn't feel right crticising Lomo. They're having fun. They're using film.
I wouldn't feel right crticising Lomo. They're having fun. They're using film.
And whatever you do, avoid Saints and absolute rules!
In a big way, for which I am grateful!and that means they are supporting Kodak, Ilford, Rollei, ...
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