For transparency scans I take the result straight out of Nikon Scan / VueScan as tiff file. Color negative is scanned in VueScan but output as a raw tiff file (no adjustment) and then converted to positive within the ColorPerfect software. - www.colorperfect.com - this is worth a look even if you don't use it as there is some good content on the site.
You had reliability issues with the mac mini when trying different web browsers?
Your Mac Pro looks like a very good option for running a scanner. You could always install another more recent operating system on an additional hard drive if you neeeded to at some point. A quick tip, you can do a partial screenshot on Mac OS X with the keyboard shortcut 'command-shift-4' and then drag out the area to be included with the mouse pointer.
The WHOLE POINT is to KEEP tiger, and not upgrade, because Nikon’s software isn’t supported past Tiger and doesn’t run. So it was the most modern OS that still ran the software.
Hi TomI don't really see where the Nikon Scan controls are 'MILES more advanced' than VueScan.
Hi Tom
I agree with you 100%, there really isn't much of a difference between the two, easy fix with a few tweaks. I guess people rely on the driver to do more than just drive the scanner... ? Like people who love using an auto function camera instead of dealing with adjusting the speed and stops.
it’s not so much the auto functions, it’s the fact that there are more tools to adjust that are more intuitive, the way that the histogram functions is different.
The next time I do some scanning I will post examples. I can still probably do a comparison with the non-licensed version and I’ll just have watermarks but it will give you guys an idea of what I was talking about.
I was using "auto function" as an example of different strokes for different folks. As mentioned previously I have used Epson's Drivers and Vue Scan for close to 20 years and see very little difference between their functionality and the final results they produce: they are just a drivers, and if you know how to use PS, there really shouldn't be that much of a difference. I say that having been a user of PS since the early 1990s. Good luck chasing the rabbit down the hole, say hello to the Queen for me when you get there.
Tom's examples show exactly what I was talking about.
No rabbit hole here. No need to be rude.
Stone:
no one is being rude, If I came off as rude, I certainly didn't intend to be. Its a fact of life, cameras, lenses, film holders, chemistry, drivers, scanners, software, papers, technique, its all a rabbit hole and a big one, and once in a while, a worthy one to fall into, but often times, like with all photographic nonsense, none of it really makes that much of a difference, its all just a distraction from doing what the point of photography is .. making images with light.
best of light with your journey
I shall sell my X1 in the near future and 'make do' with the 9000 (actually, it is so close that it makes no difference for B&W scans. Colour negatives are much easier with the X1.
They seem to have at least advised their dealers:Hasselblad were extremely uncommunicative about whether they would upgrade FlexColor to 64-bit, and eventually decided not to bother and discontinued making the X1 and X5 scanners (a fact that has still not been publicly announced, simply, I suspect to allow remaining stocks of the scanners to be sold without buyers knowing they are spending up to $25,000 on an orphaned product).
Curious in what manner scanning color negatives would be easier with the X1 rather then the Coolscan?
They seem to have at least advised their dealers:
https://www.photrio.com/forum/threads/hasselblad-discontinues-flextight-scanners.167945/
The FlexColor software that drives the scanners makes correcting for the mask on colour negative films very easy. One click and results as good as mucking around with raw scans and ColorPerfect.
Do you happen to have results of the same frame of color negative using Coolscan and X1?
Not to show resolution but color/contrast difference?
Just grabbed the last colour negative film from the files. Happens to be Fuji Superia 400, developed in a Unicolor presskit, and this frame is of the 50ft. tall violin on the quayside in Sydney, NS. There's all sorts of drying marks that should be wiped off with some alcohol, but that's the way it came. I scanned it with the 9000 and Vuescan, in 48-bit RGB at 4000dpi, no adjustments other than film type being set. Then I scanned it on the X1 with FlexColor, as a 16-bit and 3000dpi, film type set and one click one auto adjustments. Both imported into LR, no adjustments applied, but exported at 900 pixel JPEGs.
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