Ed Sukach
Member
The word is "rapport". That is dependent on the "being" of the one to be photographed, and I have *NO* formula for obtaining it. None. All I can suggest is to try to "read" the model's reactions - look for what is positive, and what is negative - to HER/ him. Do the positive.
Some will like light talk and joking - to others this will be a maximum turn-off... they will expect deadly seriousness.
A couple of things *I* do, working with figure studies: I ALWAYS pay my models. I find it necessary in establishing a serious, "professional" (in the best sense of the word) relationship, and I will direct my attention rather narrowly toward the task at hand -- obtaining the best image possible. The model/ subject will usually sense this, and be drawn to do to same, refocusing her attention.
No, it doesn't always work. One must keep one's sense of humor in those cases. Stay "light", roll with the punches -- and move on.
BTW - The "classic" solution for "short legs" is a low camera angle. Unfortunately, this also tends to emphasize thigh girth... but it is usually worth a try.
Some will like light talk and joking - to others this will be a maximum turn-off... they will expect deadly seriousness.
A couple of things *I* do, working with figure studies: I ALWAYS pay my models. I find it necessary in establishing a serious, "professional" (in the best sense of the word) relationship, and I will direct my attention rather narrowly toward the task at hand -- obtaining the best image possible. The model/ subject will usually sense this, and be drawn to do to same, refocusing her attention.
No, it doesn't always work. One must keep one's sense of humor in those cases. Stay "light", roll with the punches -- and move on.
BTW - The "classic" solution for "short legs" is a low camera angle. Unfortunately, this also tends to emphasize thigh girth... but it is usually worth a try.