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How much luck is involved in photography?


I photographed sports during my college years. Neil Leifer was The Man. His perfectly timed photo of Ali standing over Liston is still my favorite sports image. The fact that his senior SI partner is visible between Ali’s legs adds an extra dimension to the photo and the story.
 
The role of "luck" might depend upon what one is doing with photography. Many "postmodern" photographers work entirely with constructed scenarios. Others might consider the very "act" of photographing a particular scene, setting or situation is "art." Still others (staying with postmodern photography) believe that nothing new can be photographed and their work consists in assembling or downright copying the work of previous photographers.

In the previous generation, we had the "New Documents" photographers, Arbus, Winogrand, and Friendlander. Apart from Gary Winogrand, I wonder how much "luck" was responsible for their images.

I have also had the rare opportunity of seeing how at least one notable photographer worked. I asked him if he planned what he was photographing, or if he just "found" settings. Paraphrasing his response: most of the time I have a very specific idea and a plan for achieving a set of images. Sometimes, in the course of making on set of images, something unexpected strikes me as interesting and I photograph it; and sometimes that very image suggests the next project.
 
Luck can vary on how you perceive it. I photographed this restaurant, and a week later it was gone. There had been no sign it was closing.

 
There is certainly an element of luck in finding great scenes, if you’re not creating them yourself. Seeing the scene and knowing what to do with it is more practice than luck. But the more you look, the more you’ll find. It’s a combination of luck, experience, and perseverance.
 
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