It takes literally many years before sulfation will occur, and by years I mean "most of a decade". Even after sulfation has begun and there's a nice layer of white precipitate at the bottom of the fixer bottle, the fixer will still work though somewhat more slowly. If you do the clearing test and fix for twice as long as the clearing time, your negatives will basically be fine. If there is precipitate, you'll want to filter it out with a coffee filter in order to not get spots on your film though. Once the fixer starts to smell strongly of rotten-egg gas (instead of mostly vinegar), that's a sign that it's decomposing and will start sulfating soon. That begins after about 2 years in the cupboard in my experience.
You don't need to protect fixer from oxygen in the way that you do developers (which are reducing agents and therefore very sensitive to oxidation). Just keep it in a sealed bottle in the cupboard, nice and cool but never frozen.
Dead Link Removed with normal use.
Because fixing is to-completion and should leave nothing in the film, it doesn't matter which brand or type you use, and they're all based on thiosulfate. They all do the same thing and leave your film in the same state, i.e. with all undeveloped halides removed. Some are faster (ammonium) or slower (sodium) than others, some are easier to wash out of FB papers (alkaline fixes) but those are basically the only relevant differences. For film use, it doesn't matter which you pick as long as you follow the instructions for the one you're using.
A 1L bottle of rapid fixer makes 5L at 1+4, which has a max capacity of 60 to 100 rolls. Say you shot a roll of B&W per month and did no wet printing, 12 rolls a year. It'd take you 5 years (at 12 rolls/L if you shoot all T-grain films) to 8 years (20 rolls/L, nominal capacity with traditional films) to use your 1L bottle to capacity; at 5 years it will be fine and at 8 years it will be definitely starting to go off but should still work OK. Those 1L bottles are pretty cheap (under $15 here in ripoff-land) and maybe you could share one with someone nearby who similarly shoots very little? Either way, the cost of fixer ($10-$15) is generally irrelevant next to the cost of the film ($500?) you process in it. If you end up chucking half out after a decade because it went off, who cares?