I believe the original poster exhausted his fixer a long time ago. You really have to be quite careful about such things. Exhausted fixer can't be seen in prints, and it just looks like a longer fixing time with film. But in both cases, the paper or film is inadequately fixed and will deteriorate in time. Most manufacturers publish life and capacity figures for their fixers. For instance, Kodak tells us that its Kodak Fixer will last 1 week in a tray or 1 month in a tank and will fix 100 8X10 sheets of film or paper. Consider such figures as optimistic maxima. Once mixed, fixer does deteriorate just by sitting. An unused bottle of fixer has a maximum life of about 2 months (maybe). Open containers last a considerably shorter time. In use, fixer builds up silver complex products that deplete it and interfere with its action. The result is not only a longer fixing time, but contamination of the film or paper with materials that are harder to wash out. Eventually the fixer becomes exhausted and ineffective, even though it will still clear a piece of film pretty well in time. Two bath fixing of paper extends the capacity considerably, but it does not extend the open tray life.
Fixer is cheap. Since I am not in the darkroom every day, I mix up a new batch before each session. (I just mix up Kodak F-34 from ammonium thiosulfate solution, sodium sulfite, and sodium bisulfite. It only takes a couple of minutes, and I can mix just what I need.) I might keep a tray active for a couple of days if I haven't used it much, but not more than that.
One poster mused about regenerating fixer. It is probably impractical. The problem is getting rid of the silver-thiosulfate complexes while regenerating the thiosulfate. You can precipitate the silver or plate it out, but the process does not regenerate the thiosulfate and contaminates the solution with other materials that are harmful to fixing. It's cheaper to just mix new fixer.