I keep reading that it doesn't compare well w/more modern lenses. The AI has a sloppy built-in hood that I greatly dislike. The older one has a very finely made built-in hood. Thanks, anyone.
Modern lenses (perhaps the last 20-30 years) benefit dramatically from computerized optical design.It doesn't compare at all.The newer lenses are better...
Haven't shot with the pre-AI version myself, but I've also read a number of reviews saying it's not as good as the AI and later. Nikon actually revised the optical formula and cosmetics of the pre-AI lens less than a year before introducing the AI version. According to Braczko's book, the pre-AI lens with serial #6700003 and up should be optically identical to the AI and AIS.
I had a pre AI version that was very good, got in 1970 so was likely made in the late 60s. I had it converted to AI, later traded it in for a AI lens that was mulitcoated. For the price seems to be a good buy. On the other hand my Pentax M 42 4.5 is sharper but the sharpest of the time that I have owned or own is the Konica 200 F4.
OH DARN! (Actually I have the AIS version, and the hood tilts awkwardly when extended--looks like 2 cents. I wonder if this can be fixed?).
That's not surprising.Bought one new back in the 70's. Wouldn't trade it for anything else.
I hear all this about how the new lenses are so much better, but I don't see it.
I keep reading that it doesn't compare well w/more modern lenses. The AI has a sloppy built-in hood that I greatly dislike. The older one has a very finely made built-in hood. Thanks, anyone.
The Nikkor-Q Auto 200mm f/4 was developed by Masayuki Isshiki. (...) The basic design was completed in July 1960, and after verification of performance through trial production, the lens was released in July 1961. (...)
A couple of years after its initial release, the Nikkor-Q Auto 200mm f/4 underwent some minor modifications. These modifications enabled support for the color film that had just started to become common. Initially, only glass with an unexpectedly high blue transmissivity was used with the Nikkor-Q Auto 200mm f/4. Therefore, users complained that images captured with this lens were somewhat bluer than those taken with other lenses. With the need to change the materials used for the glass in order to correct colors, Nikon designers took the opportunity to make other improvements without changing the basic lens type.
Yoshiyuki Shimizu took over design from Isshiki, managing to increase sharpness by correcting spherical aberration, and to increase performance further. Functionality was also increased with structural modifications that enabled a reduction of the closest focusing distance from three meters to two, adoption of a seven-blade iris diaphragm to replace the earlier six-blade component, as well as reducing minimum aperture from f/22 to f/32.
The original models and the modified models could be differentiated by their closest focusing distance, minimum aperture, and name plates.
MY! Flavio! You sure know a lot. Always interesting to read your posts Mine stops down to 32, so mow I'm fairly happy! Thanks Chip
BTW, I think it's the most beautiful lens Nikon ever made--it shouts "PROFESSIONAL".
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