I have a whole bunch: 20/2.8, 24/2.8, 28/2, (Sony) 50/1.4, 85/1.4. All of those have metal bodies except the 50, and you can get that in metal if you buy an original Minolta one. However, the plastic version is really quite rugged and is optically as good if not better than the metal 50/1.4: it has a circular aperture and a changed rear element that will not cause a central reflection-spot on a digital sensor.
Minolta made a 50/1.4 and 50/1.7, Sony now makes a 50/1.8 but it covers only APS-C so is not particularly useful on film.
You can get AF Zeiss lenses in M-AF mount: 85/1.4, 135/1.8, 16-35/2.8 SSM and 24-70/2.8 SSM. They are as good as or better than any of the Canon and Nikon equivalents, though you will need a 5, 7 or upgraded 9 body to use SSM focusing. The 135/2.8 T/4.5 STF lens has the best bokeh of any lens ever made, due to its apodisation filter. You will not get it in any other mount.
Like any lens brand, there are good ones and bad ones, and you must read reviews/tests to figure them out. By far the best source is the
dyxum lens database, which has every Minolta, Sony and 3rd-party M-AF lens. There are individual reviews as well as sample-image threads. Though dyxum is a digital forum, it is very film friendly - I was first coaxed into B&W film by one of the moderators there!
They do not have an aperture ring because the aperture is controlled by the body via a lever in the mount. Manual focusing is not viscously damped like a classic MF 35mm lens (eg Takumars) because the AF motors need to drive them quickly, but they are quite easy to focus accurately manually.