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How does Kallitype toning "work?"

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Moving beyond the original scope of the topic, but had something interesting to share that I didn't feel deserved it's own thread.
I've been making some adjustments to my process to work out some of the quirks. Mainly I switched over to using sodium citrate developer. I'm currently working on re-calibrating my printer profiles for my digital negatives and here is an image of some of them.

From left to right: sodium citrate palladium toned > sodium citrate platinum toned > sodium acetate platinum toned

Observations:
1. There is a HUGE difference in color between the two different developers, even when toned to completion. Sodium acetate + Pt is neutral and sodium citrate + Pt is a warm brown, black.
2. There is very little color difference between sodium citrate kallitypes toned in Pd or Pt. The Pd toned print is slightly more brown, but even side-by-side it is hard to tell.
3. The sodium acetate print tones WAYYYY faster than sodium citrate prints (at least when judging color change for completion). Sodium acetate took maybe less than 5 minutes, but sodium citrate took nearly 20 minutes. I have no idea why this is. Perhaps something to do with larger silver crystals or their structure?
4. Dmax between them looks visually the same.
5. (not shown) Sodium acetate prints toned in Pd are a notably different color than sodium acetate prints toned in Pt (brown black vs neutral). I wonder why sodium citrate behaves so differently.
 

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One observation: platinum toner will often create a yellow-brown stain if carried on too long.

For reference, I tested this and started to get staining at 6 or 7 minutes. For that reason, I generally limit platinum toning to 5 minutes. It helps that I use toner one shot, so toning time very consistent.
 
Seeking information on Palladium toning of Kallitypes. On this page:
Sandy King shows several examples of palladium toned kallitypes. One is warm toned, as I expected, and several are neutral toned. There is no mention in the article of what processing details allow one to achieve one or the other.
I am on the fence re: trying kallitype, and the possibility of choosing warm or neutral after palladium toning would be a significant incentive.
Oh, and I did email Sandy King a week ago; must be a very busy person.
I'm sure he'll respond; he's generally responsive to questions. But it may take some time for him to get to it.
So eventually I had a kind response from Sandy. And his explanation for the neutral-tone palladium-toned kallitypes is... inadvertent conversion of the RGB file to Grayscale.
So, after embracing the digital negative for alt processes, why not also adopt digital toning; cheaper than precious metals😉 Just joking.
 
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