I dont want to use thiocyanate.
Omitting thiocyanate from the first developer may result in muddy slides.
Ive never had any luck with neither thiocyanate or thiosulfate. I just developed TMY2 in 842 replacing the phenidone with metol and it looks very good at 200 ISO for 12 minutes (20 degrees). Im probably trying other ISOs too at both shorter and longer times. Im pretty close to what Im looking for... Id like to warm up the image a tiny and have to figure out how to do that.
Hi all,
How does the amount of metol, sodium sulphite, hydroquinone, sodium carbonate, potassium bromide, and sodium hydroxide affect development time?
I ask becuase I'll try Orwo 842 (replacing phenidone with metol) instead of Ilford PQ Universal. They time I used with PQ was at 24 degrees celsius for 10 minutes. I assume this is aprox 14:30 if developed at 20 degrees celsius.
The film developed was Tmax400 (at about 160 ISO) and the time is for first development in reversal processing.
The Orwo recipe is here: http://lostlabours.co.uk/photography/formulae/developers/rev_filmotec.htm
Note that Im intending to use the second developer as first developer (meaning omitting the thiocyanate).
Here is the PQ recipe: http://lostlabours.co.uk/photography/formulae/developers/devID62.htm
(UPDATE: I used the concentrated stock diluted 1:5)
I get that assuming development time isnt an exact science... but I figured Id try 14:30 at 20 degrees celsius as this have given good results with PQ. But, are there components in the Orwo recipe that differs to such an extent from the PQ recipe I should consider reducing or prolonging the development time some?
Cheers
Peter
To a positive. I get better results omitting the thiocyanate.
Ive never had any luck with neither thiocyanate or thiosulfate. I just developed TMY2 in 842 replacing the phenidone with metol and it looks very good at 200 ISO for 12 minutes (20 degrees). Im probably trying other ISOs too at both shorter and longer times. Im pretty close to what Im looking for... Id like to warm up the image a tiny and have to figure out how to do that.
This guy really surprised me.
Well, the large amount of potassium bromide (6g/l) probably restrains enough of the base fog without thiocyanate. Maybe the thiocyanate in that developer is overkill, anyway.
One key function of Thiocyanate in reversal processing is to get clear highlights.
Thiocyanate/thiosulfate clears highlights but kills midtones. Extending first developer time preserves midtones and clears highlights.
I don't see how a solvent could get clear highlights in that way, since highlights in the slide would be high-density in the negative. That would be the job of the high amount of carbonate in the first developer, in conjunction with the high amount of hq.
Developed to dmax in the negative equals dmin in the positive. No?
Please read Chapter 7, "Reversal Processing of Black-and-White Materials" in Vol 2 of MODERN PHOTOGRAPHIC PROCESSING by Grant Haist. It answers all your questions and provides excellent technical insight into the role played by Thiocyanate in B&W reversal processing.
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