How does a grainy large format photo compare to a finely grained 35mm?

On the edge of town.

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Peaceful

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Cycling with wife #2

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Cycling with wife #2

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Time's up!

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Time's up!

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Green room

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Green room

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All this reminds me of an old RollsRoyce story, Someone wrote the factory and asked: I am interested in buying an "X" model of your cars. How many horsepower does the "X" model's engine have? The answer came back with one word: "enough". If my 35mm cameras can take "sharp" 11 x 14 prints, they are sharp "enough" for me. If I make a 4x5 picture and print it to 11 x 14 also and it is sharp also, then it is sharp "enough" for me. I am the only one those formats and lenses have to be sharp "enough" to please..........Regards!

Indeed. What prompted my move from 6x7cm to 8x10” was a grainy soft sky in a 16x20 print. It was the one thing really nagging me in an image of mine that is one of my very favorites. I did think my 8x10s from 6x7 were very sharp (FP4, pyro), until I saw my new 8x10 contact prints. Now the previous 8x10 prints seem “fair” as far as sharpness. However, the trick now is finding a working method with the 8x10 that can create images that are as good creatively as my 6x7s. Not there yet.
 

jim10219

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All this reminds me of an old RollsRoyce story, Someone wrote the factory and asked: I am interested in buying an "X" model of your cars. How many horsepower does the "X" model's engine have? The answer came back with one word: "enough". If my 35mm cameras can take "sharp" 11 x 14 prints, they are sharp "enough" for me. If I make a 4x5 picture and print it to 11 x 14 also and it is sharp also, then it is sharp "enough" for me. I am the only one those formats and lenses have to be sharp "enough" to please..........Regards!
That’s true. Photography is a system, and in any system the final results will be determined by the entire system, and not just one component of the system. Any hypothetical answer relies on various assumptions, many of which may not be practical or even possible in a real world scenario. Beyond that trying to achieve ideals in a real world problem can be expensive and fruitless. So the better option here is to consider what practically can be achieved by the means available to you.

In the OP’s case, he’s using a flatbed scanner. That’s going to be the largest limiting factor. And no 35mm film, no matter what conditions it was taken under, will ever be able to achieve the resolution possible from a scan of any 4x5 film, no matter how grainy. It’s not even close enough to warrant a test.

For me, I look at what’s possible given my means. And in my experience, I can’t print larger than about 8x10 from any 35mm film without seeing grain. Sometimes it’s not objectionable, and you can print larger without having grain be a problem, but it’s still there. With 4x5, I can print any size my darkroom will handle (16x20) without ever having to worry about grain. Same with scanning negatives, only getting an 8x10 worthy scan from a 35mm negative requires a better scanner than a flatbed, and extensive post processing work.
 
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