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How do you meter with your meterless Leica?

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kivis

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Question goes for really any meterless camera. I use an app on my iPhone (Pocket Light Meter), but I am trying to train myself to use the "force within". You know, try to remember or guess what the reading would be. Not that good at it yet. What are others doing? A real meter? Please be specific as I still, after all these years am wishing to learn more what others do.:cool:
 
Pocket Light Meter here. That's what I have been using with my F. Alas, going back to an FTn finder on the camera, so unless the FTn finder is unuseable, I won't be needing to use the app.

-J
 
Sunny 16, a bunch of meter-less shooting experience, and a strong appreciation for the exposure latitude generosity afforded by shooting film.

If shooting slide, replace the third comment with a healthy understanding that most shots will not come out well, but the ones that do will be magical.
 
depends on the day

heavy overcast meter ocassionally
sunny cloud meter at several points in street until clouds change then meter again
 
This has been something I've been working on as well since returning to film.

I second the comments from Spicy above: Sunny 16 is the starting point. Adjust by feel from there, always remembering that too much exposure is far better than too little.

I use a little Sekonic meter if I need precision (mainly studio stuff).
 
I always carry a meter, guesswork is foolishness, and it avoids time , effort, and expense of useless exposures
 
Polaris incident light meter -- light, accurate, and if I wish I can attach a reflected light doo-hickey (though I rarely do as I prefer incident metering).
 
I used to use a Nikon carried with my M3.
Purchased a 0.85M6, left the Nikon at home.
Now have M7's.
Much better now!
M3 sits in box.-Dick
 
I always carry a meter, guesswork is foolishness, and it avoids time , effort, and expense of useless exposures

I'm mostly here too, with a Sekonic L358.

As long as I meter, and I always do when a frame is important, there are no poorly exposed frames.

I do on occasion, like when walking the dogs "around the block" or something similar, skip the meter and guess for fun.
 
I have a Sekonic meter that does reflected and incident readings. I use it with all of my cameras, metered or not (I prefer the incident reading). I have shot 400iso film (usually Tri-X) in my old meterless Pentax so much I can guess accurately enough for most situations.
 
I use an Ikophot exposure meter. On the rare occasions I forget to take it with me, Sunny 16 works surprisingly well, but a second hand meter will cost £5.00 or so on Ebay.
 
If I am lucky enough to own a meterless Leica I would most of the time use it without a meter. At times I would bring either my Minolta flashmeter III or flashmeter VI. I would never buy that meter attachment from Leica to put it on the shoe.
 
I shoot mostly B&W and shooting since 1976 or so am pretty good with sunny 16 even on cloudy days. Otherwise I use Light Meter on my iPhone or my Sekonic L-508 or a GE PR-1 with my M2.
 
I don't have a Leica but a meterless Mamiya RB67 and use a Minolta IIIf Autometer. It provides reflective, incident and flash readings and comes with a 10 degree spot. You can also get a 5 degree. I tried the app on my Samsung S4, but it wasn't always accurate.

My "force within" is not so forceful and needs a tune-up so I rely on the meter. Also, the force within does not work well if you're shooting during "magic hour", one hour after sunrise and one hour before sunset, when the light changes rapidly. Best time to shoot landscapes. Could be changing in stops every few minutes. Guessing at this point is really just taking chances on the result. Even with the meter, I bracket. And I'll tell you that sometime I'm glad I did. I also usually shoot chromes which have less room for error than negatives.
 
So many well known photographers never used a meter so it's very possible to live without one.

Sunny 16 is simple and consistant.
The general rule is ISO/16 so for ISO 400 it's 400/16, 100=100/16 etc. The exposure never changes for bright sun.
Well almost never. Sand or snow & ya gotta stop down another ~2stops. Dark subject & open ~a stop or two.

Open shade? add 1.5-2 stops.
Cloudy bright, no shadows, +1.5-2stops.
Heavy overcast, +3 stops.

There's a learning curve but thats true even when you use a meter.
I use a Luna Pro F or Spectra 500. Mostly for playing with pinhole.
Don't need no steenking meter for Leica stuff.
 
Mostly just "Sunny 16", if it's that important obviously a hand held meter, but that's too much work.

Most of the time I think I shoot better without a meter.
 
Incident or spot meter (e.g. Sekonic). It depends how critical your photography is, how important the result is to you. For a snap shooter, point-and-shoot based on experience (the so-called "force within") in many similar conditions. But there really is no substitute for building skills with metering early on; as you progress further into photography you will really appreciate the investment in metering skills.
 
In the beginning my negatives looked like a chess board.
I double the film speed and take a incident reading in the shadows and keep that value for the rest of the day.
 
i never use a meter anymore
if you pay attention to the light and the way you
process your film, you won't need a meter either.
( they used to( do they still?) print exposure information
on the inside of the film box. seems like if it was good enough
for the film companies to suggest you pay attention to the light
and expose accordingly it might still be a good idea ?

http://www.fredparker.com/ultexp1.htm
 
Last edited by a moderator:
i never use a meter anymore
if you pay attention to the light and the way you
process your film, you won't need a meter either.
( they used to( do they still?) print exposure information
on the inside of the film box. seems like if it was good enough
for the film companies to suggest you pay attention to the light
and expose accordingly it might still be a good idea ?

http://www.fredparker.com/ultexp1.htm

I seem to recall that the instructions in the boxes indicated they were the settings when the time was between 10am and 2pm, when the light was basically flat and high in the sky. How do you estimate the light and apply the exposure setting at one hour before sunset? 45 minutes, 30 minutes, 10 minutes, 5 minutes, etc? There can be many stops difference during that period.
 
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