Except the scene has a color temperature very different from the film calibration or you are trying to get it, you will be moving around the same filtering package. I bought a Minolta colorimeter for around €100 to check color temperature when I have doubts and carry with me three filters for color correction (normally Skylight, 81B, 82A). The idea is to have more or less the same color temperature than film calibration so the filtering package is about the same and only small corrections are needed.
Another way is to shot the scene twice, first with a grey card in it, and use later a color analyzer in the enlarger. Color analyzer calibration is for an specific film-paper combination and requires a densitometer or a very good eye, but in principle you could get an almost "good" filtering (and also exposure in some models) on the first attempt.
RA4 developer on Jobo-like rotary processors is one-shot unless you use a very high ammount (800ml instead on 100ml). I find it is a more predictable and repetitive process to use small quantities of fresh chemistry as one-shot than reusing large ammounts.