That's wonderful advice.if you dont want to touch the shutter button either just get a roll of Ilford XP2, set aperture to f8, shutter to 1/125 and that will allow you to shoot from first thing in morning till late afternoon outside without having to change any settings, It's black and white film with a big margin of exposure which can be developed by any place that does colour film developing (unlike other b/w films).
those settings will allow you to use your camera as a point and shoot outside so just burn up a roll of xp2 and drop it into yr local colour photo lab.
if the roll comes back a mess then your camera needs a look at, if roll looks fine then just shoot your camera until it falls apart.
Easy.
So a roll of film is cheap and development isn't overly expensive. You have an olympus om-10 at home. Just put one roll of film through it. See if you like it. Run it in auto or if you want to try manual, fiddle with it's bits until the light meter reads "0" or it's green or however your camera indicates the exposure is on. Literally, just turn the shutter speed dial or aperture ring until it's in the middle of the exposure meter and fire away. You'll miss the odd shot because of weird lighting conditions but everybody does so don't worry about it. You're overthinking it. Put a roll into that camera and start shooting with it. They're dead simple. Other people can figure it out, so can you. Just make sure you set the iso wheel to match whatever film you put into it and fire away. I'm sure on day one most of your shots will turn out without issue.When I was in high school photography class (15 years ago) I was using my mother’s Minolta freedom 35af. Just a simple point a click but I thought the photos I developed turned out quite well. Good enough I sold some prints. I’m now wanting to start taking pictures again. I am having a hard time choosing a rig for this. I am wanting to stick with point and click for now at least for simplicity and that it’s all I know how to use. SLR’s are more than I want to deal with at the moment. My choices from research are the Minolta Hi-Matic af2/af2m, Nikon L35AF, or Canon AF35M/L. I have been leaning towards the Minolta but just because I’ve used a Minolta before. Any help would be greatly appreciated. Also to note is my wife has an Olympus OM-10 with several lenses in storage. Since it’s an SLR I would prefer the others but, if it still works should I stick with that?
And if the aperture doesn't close down to 8? This is not uncommon in Oly lenses which have sat for a while. How about if the shutter is wonky? The camera has been sitting idle for 15 years.because I'm quietly confident OP can turn shutter to 1/125 and aperture to f8 and then just leave those settings there.
And if the aperture doesn't close down to 8? This is not uncommon in Oly lenses which have sat for a while. How about if the shutter is wonky? The camera has been sitting idle for 15 years.
The point is, that the OP have confidence that the camera works properly to start with.
No. I'd look the camera over, verify that the aperture works and the shutter isn't capping (not uncommon with cameras that have sat), check to see if the meter is in the ballpark. Then, maybe put film in it. I can repair cameras, and I can work around a certain level of dysfunction. The op has stated he wants a camera that works properly. Also, I'm not insisting upon a cla - just that he have it checked over by someone who knows how.I'd prefer to run a film through it first, you'd prefer to CLA it first. Everyone's different - spice of life
I don't. Get something loaded in it and go smash out a load of shots!I apologise unreservedly for advising OP to just run a film through it and will leave you gentlemen to it
Sounds like the perfect moment in which you wish to have with you a dependable camera, doesn't it?When the moment hit that something would speak to me I would grab my camera and take a shot.
You seem to be on the right track, just don't get diverted by the cowboys (whose opinions are worth their weight in goldWell yes that is true. Can’t snap a shot with a camera that won’t shoot.
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