Helen B
Member
Hi Ed,
My answer is going to be unworthy of your well-reasoned question! My preference for the Studio is mainly an unreasonable preference that I don't have to justify to anybody but myself. I just like it. I like the simplicity, lack of unnecessary precision (for the purpose I'm using it for), size and directness.
I agree that, if based purely on reasonable reasons, I would use one of my Spectra meters: the IV-A is my most recent aquisition, and I have an older Classic of some kind - which I am also very fond of and have used for twenty years maybe. I'm never sure how much I should reveal of my mental abberations - one of which is having unnatural quantities of exposure meters. It probably comes from not being bitten by a bat while using an SEI in some abandoned tunnels under Newcastle thirty years ago.
As I said in my original post, I work in both stills and movies, so my comments were not just referring to LF work.
So there it is. I don't really know 'why' either.
Best,
Helen
My answer is going to be unworthy of your well-reasoned question! My preference for the Studio is mainly an unreasonable preference that I don't have to justify to anybody but myself. I just like it. I like the simplicity, lack of unnecessary precision (for the purpose I'm using it for), size and directness.
I agree that, if based purely on reasonable reasons, I would use one of my Spectra meters: the IV-A is my most recent aquisition, and I have an older Classic of some kind - which I am also very fond of and have used for twenty years maybe. I'm never sure how much I should reveal of my mental abberations - one of which is having unnatural quantities of exposure meters. It probably comes from not being bitten by a bat while using an SEI in some abandoned tunnels under Newcastle thirty years ago.
As I said in my original post, I work in both stills and movies, so my comments were not just referring to LF work.
So there it is. I don't really know 'why' either.
Best,
Helen