- Joined
- Jan 11, 2010
- Messages
- 40
- Format
- 35mm
Scans that look bad don't really tell us anything, because they may look bad because of the film, because of the exposure, because of the development, or because of the scanning.The HiRes scans are in my dropbox, I could try and post some is thats any good.
So these are all from the OK film in which case the difference in these has to be down to light conditions/sea haze or maybe that combined with a 1.4 extender(tele-converter). The best of these such as a Nikon converter on a good Nikon lens might make very little difference to the picture quality but in my experience of using an "also ran" converter with a 100-300 Tamron tele-photo for a Pentax, the quality of the negative does suffer.No, these are all from 1 and the same roll.
#1 and 3 were taken on different days (2 and 3 the same day actually..), but yeah, it was quite humid and with the use of a 70-200 tele (#3 with 1.4 extender), it gets hazy quick
thxs, still waiting on the negs
There is one more negative here than negatives from which your prints are made and I take it that this is still the OK film and you have yet to receive the recent lab processed film which it has said is very underexposed. Am I right?
I'm sorry for making this clear, but these are 4 negs from the "badly underexposed" roll, received it yesterday.
If we can rule out the extender on what looks like the properly exposed negative and if the light conditions for each were much the same i.e. a relatively clear sunny day, then the beach and cliffs do look the most underexposed, the beach with trucks is still underexposed but slightly less so. The building and foreground picnicers scene looks to be properly exposed and the canal and houses only very slightly less so I agree with your assessment
What may be inversely correlated to this is how much sky there is ie. the more sky the more underexposed is the negative.
It is just possible that as your camera meter works OK in at least one shot then it may be giving too much weight to the sky area and you may need to reduce exposure where the sky is a third or more of the scene. Testing is required. Sky seems to be a determining factor to keep in mind.
In the long run it may be worth having the meter tested. I think I might just do a comparison with 1-2 other of my camera's.
In our current sunny conditions between say 11:00am and 2:00pm sunny f11 is not a bad rule. Point your camera to green grass in open sunshine ( if you can find enough that is still green) with aperture f11. The exposure should be the reciprocal of the film speed i.e 1/400th if the film is a 400.
If this comes out right then meter an open scene with no sky then watch what happens to the meter reading as you include more and more sky. If the exposure gets very short with a normal amount of sky in the picture then you may need to increase it by trial and error.
If it were me then I'd be tempted to change the film speed( lower it) on the camera when more than maybe a quarter of the scene is sky . Try 4 shots of the same scene and the same camera angle at EI 400, 320, 250, 200. See which negative produces the best picture.
Best of luck Thanks
pentaxuser
The edge markings look about right to me. It is lab processed so I'd be surprised if the dev time is wrong and at least one neg is properly developed. I doubt if the film is underdeveloped.Just a thought, but shouldn't the latent edge information on the negatives be denser? If they should, wouldn't then the negative appear to be underdeveloped? What do you all think?
Martin
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