As well or in more detail there are three perforation families, (but still simplistically!).
- cine camera for frame to frame registration
- distribution print for wear tolerance
- stills though (my) stills cameras will tolerate cine cameras B&H perfs.
And ECN uses a different CDn from C41 so they would be 'crossed' processed.
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The packaging for the Kickstarter batch is a one-time only design - completely unique and never to be replicated. We will be hiring professionals to create a new identity for the future.
-Dave
since the founders of Film Ferrania are in the motion picture industry, do they have any view on producing colour negative motion picture stock?
Kodak is currently the only producer left of ECN2 films AFAIK and its unknown for how long they will continue to produce it.
I would expect this would create a major gap in the market if they pulled out and could mark the end of such films ever being used, obviously Kodak are the leaders in this area of film, since they have put serious R&D into it in recent years and is the core of their remaining film business.
AFAIK, Ferrania pulled out of the motion picture industry sometime before 1985. So Film Ferrania would need to spend alot of time in R&D to come up with a new product in this sector.
So really I guess my point is: Is this a priority for Ferrania in the medium to long term?
im guessing that a colour negative film such as Solaris would be the next product you intend to introduce, is it possible that your engineers could create a negative motion picture film based on this emulsion?
Not that i have a requirement to shoot negative motion picture film, im just curious to know what film range you plan on producing in the future, as the market and time sees fit.
Also regarding B&W films, P30 was an early motion picture emulsion, could such a film be outsourced in a partnership to another manufacturer such as Ilford(even on a temporary basis until your production has the capacity), or do you intend only to produce your films in Italy?
Sort of related to the last question about ECN, is what about E6 Dupe and/or ECN Print films?
The signs are all there that Kodak are going to pull the whole plug on ECN very soon (although well done for already surviving a 90% drop, but I don't think it makes business-sense to keep going if it drops any more).
Unless something drastic happens, I'm guessing that they'll pull the ECN plug within 2 years, frozen stock will be all but gone by 2020.
In short, when that happens, do you hope (and more importantly, are you planning) to plug that gap with your more realistically/economically-sized production?
One question - your 16mm cine film: can it be double perfed? My Kodak has double perf wheels...
I was really hoping to see Regular 8mm in the Kickstarter, any plans for it in the future?
People here like to bring up Kodachrome just to rattle the cages of the anti-Kodachrome zealots.
Ken
As I'm sure everyone is aware, Kodachrome is a formula and brand name that belongs exclusively to Kodak... Requests for its resurrection should probably be directed to Alaris.Dr Crouble beat me to the punch on bring back Kodachrome!
as for my question: Is there a published spec sheet on the updated Scotch Chrome? I'm specifically thinking color sensitivity and RNS granularity.
Yes, you are right. They do not have anything else in life going for them so they bitch about Kodachrome. So I should consider the source of those comments and handle it appropriately. Jes sayin'
Yes...
Truthfully, I have not felt this much optimism toward the medium of film in many years. I realize the realities are still very tough and uncertain. But just the prospect of a positive end game is a wonderful thing to behold.
Ken
This is the most fascinating thread in several years.
Good times!
we're all doomed ...
Posh! Get out there and stimulate the economy! The stock market is up and we are on the way to recovery.
Posh! Get out there and stimulate the economy! The stock market is up and we are on the way to recovery.
Yes, you are right. They do not have anything else in life going for them so they bitch about Kodachrome. So I should consider the source of those comments and handle it appropriately. Jes sayin'
Even if Ferrania did produce a film like kodachrome, it would require extensive R&D for them to introduce such a film, not to mention that they would have to set up the infrastructure to process it, unless they resurrected some old K-Lab machines that may be floating around! lol
They would be far better off putting their resources into developing a new E6 film that could give us similar results to Kodachrome, or E100g, E100GX or a finer grained Agfa Aviphot type film.
Kodachrome was great, but i cant really complain about the E6 offerings that Kodak had. Im confident that Ferrania will become leaders in the E6 market in the years to comeIts a good gap in the market to fill, and I feel is top priority for Ferrania to work on before moving on to other films.
I dont want to see any more E6 labs close down.
E6 Labs are going to close for confidence and volume.
Rudolph is not going to put Kodachrome25 in your stocking this year.
Jobo is still supporting home processing with high quality equipment. Tetenal supplies quality E6 chemicals that are easy to get, easy to use and produce great results.
E6 will still be available and processable.
The difference that I see is that recreational E6 Processors will offer their services to those in their local community. Win/win/win stuff. They get paid to use their expensive equipment. E6 shooters get personalised service. And Jobo and Tetenal keep making $$$.
Again the the Kodachrome! Kodachrome produced muddy skies. The US will ask the British monarchy to take over and Russia with be ruled by a Czar before Kodachrome returns.
Quite possible, but those Tetenal kits are only a 3 step process arent they?
I believe the 6 step E6 process is the most reliable and ensures archivalbility, etc
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