Yes, the only ISO 640 color film made by 3M/Ferrania was the 640T tungsten slide film.
I'm eager to have them manufacture it again. They do have the formulas and the rights to use the formula, and the factory, so it's not impossible. On the other hand, it is not as easy as "just follow the recipe"; they will have to re-engineer it for the available chemicals, re-scaled process, etc.
Thanks so there is only the question of which film they should re-engineer next, by market research?
I think the answer should be logical, you go for either:
a) a good product priced lower than the competition ---> that would be an ISO 100 C41 film
b) a product that fills a void in the market ---> that could be the ISO 400-1600 slide film, or the 640T slide film, or an ISO 800 C41 film in 120 format.
Today Fuji are dumping rebranded ISO 200 c41 at close to manufacturing or below, it is in all our high turnover cheap shops.
I think the answer should be logical, you go for either:
a) a good product priced lower than the competition ---> that would be an ISO 100 C41 film
b) a product that fills a void in the market ---> that could be the ISO 400-1600 slide film, or the 640T slide film, or an ISO 800 C41 film in 120 format.
Could you quote your source of information about Fuji's manufacturing costs?
I'd have assumed they are closely guarded company-confidential data, but of course I could be wrong, and in fact they are matters of public record ...
Xmas said:Do you need this coloured in or will this do?
Yes, the only ISO 640 color film made by 3M/Ferrania was the 640T tungsten slide film.
I'm eager to have them manufacture it again. They do have the formulas and the rights to use the formula, and the factory, so it's not impossible. On the other hand, it is not as easy as "just follow the recipe"; they will have to re-engineer it for the available chemicals, re-scaled process, etc.
Being rude is unnecessary.
I wasn't aware Simon Galley worked for Fuji so I'm not sure that what he has said about 120 film has to do with anything.
Nothing you have said is based in anything other than your personal beliefs and assumptions. You may be correct in those beliefs and assumptions, but as none of us have any way of verifying them (unless we work for Fuji), they are of no value and amount to no more than speculation.
We can any of us say something with all the gravity we can can muster, but it won't make it true.
I think the answer should be logical, you go for either:
a) a good product priced lower than the competition ---> that would be an ISO 100 C41 film
b) a product that fills a void in the market ---> that could be the ISO 400-1600 slide film, or the 640T slide film, or an ISO 800 C41 film in 120 format.
American English expression: "different strokes for different folks". I've never liked grain, and never found a slide film of >100 ISO that impressed me. AGFA's 200 about 1995 was a big disappointment, Provia 400X was bold and sharp - but skies looked like they were full of pepper, and Ektachrome E200, though the best of the three, was still not worth the one-stop advantage over the 100s.
Personally, I would like to see an ultra-sharp, ultra-fine grain E-6 with antihalation layers front and rear (that would, somehow, wash away in any E-6 chemistry, without affecting the chemicals). RMS 6 or less grain, 200 lp/mm resolution, speed preferably 100, but as low as 25, if that were needed to reach those grain and resolution specs.
Had I ment to be rude you would have no trouble detecting it.
...
You have mistaken me for some one who cares if you believe me or not.
You cannot possibly be in a position to say that AgfaVista200 is sold below the unit cost of manufacture, because you simply don't know whether it is or not. It may very well be being sold below cost. But the only people who could possibly say so are Fuji, and they are not telling.
I am not particularly demanding. If Ferrania can get us color film at least as good as their last offerings before the shutdown I will be very grateful. And happy to buy!! (provided the prices are not insane)
Ill be happy even just if we only had the scotchchrome 100 formula!
It looks a wonderful alternative to e100g and if we see higher ISO speeds and a similar formula to e100vs and e100sw i would be extremely happy
I can develop E-6 film at home but I can't manufacture E-6 film at home.
I can develop E-6 film at home but I can't manufacture E-6 film at home.
I can develop E-6 film at home but I can't manufacture E-6 film at home.
I've done transparency at home fifty years ago from a kit, but the majority of users use a lab. If the labs go we lose them, and the manufacturer as well.
It was well inconvenient.
C41 dominated the market cause the mini labs were so simple and so quick. I could drop off ten at local lab have a coffee and blueberry and return to look at ten CDs on their mini printer's screen. Till the lab vanished.
Today Fuji are dumping rebranded ISO 200 c41 at close to manufacturing or below, it is in all our high turnover cheap shops.
When pound land sell at 1.00 GBP they are paying the reseller rather less...
Fuji film was even much cheaper in Germany, than yours. But film at either prices has vanished from the shelves.
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