ME Super
Member
Thanks for the recap, Francesco. Much appreciated.
I am pointing out that they are doing research on real film coatings both processed and unprocessed, and that they are making film, albeit in small quantities relative to what they might end up producing. I am pointing out interesting (to me - and probably to you) points in the film.
PE
Thanks for the recap, Francesco. Much appreciated.
Not too surprising, in that they did say the first batch was going to be made on the "research Coater" - and that they don't consider it as a economically viable production method. Previosu photos of this unit saw it coating somewhere between 5 and 8 inches wide.
The long term plan seems to be if you read between mr. Daves posts is to somehow install the coating head of the main coatter in what if currently unused office or utility space in the research building, and make a smaller version of the dryer using salvaged parts. This will give them more width, but they will probably have to redesign the web speed somewhat slower than in it's hayday so they can allow the web enough time to dry with a smaller amount of travel area . This will be an engineering challenge as other folks have pointed out that the faster the web runs the easier it is to get a uniform coating. They say they have lots of space as the building used to have 600 workers and they are planning to keep it below 100 workers.
I guess that the various converting and packing machines will end up in what looks like multiple small darkrooms, as with fewer projects they will only need a few test darkrooms. Presumably the finishing machines may become less automated to reduce the size and complexity and sidestep the need to keep up ten to twenty year old computers. perhaps the salvagers may have even grabbed the previous generation of machinery to keep computer problems down to a dull roar.
I also have a bit of scepticism that they can pull off such a major bit of re-engineering but at this point I am quite willing to give them my best wishes and a great deal of benefit of the doubt.
Hi Dave,
If your reading this, i thought i would point out that in the Fuji Factory auction in Europe, after looking through the photos it appears they have a spectrum analyser similar to what is in the LRF, i understand such equipment is valuable and virtually irreplaceable.
I know that you mentioned that they were going to look through and see what may be of use to you, but i expect there is probably not much equipment there that you dont already have, unless if some of their equipment is more technologically advanced perhaps.
But that analyser and other test equipment may be of some use, by now i expect your team know whats available over there, but i thought i would point it out to you anyway![]()
Instead, we will commission a new, wider head at some point in the future. We have a fabricator at the ready.
Hi,
The converting and finishing machines will come online "as needed" - highly dependent on a complex set of variables that will only be resolved once we actually start making film. It is likely that we will mix third-party and in-house services in order to get our early batches out the door and into yours (and my) cameras.
So the third party work would only potentially be the finishing aspect?
Always reading... Pinned tab in my browser.
Marco made a brief trip to the Netherlands to check out the machinery himself. I'm pretty sure he didn't find anything that we really needed, but I'm going to double-check.
I have another question regarding coating the film, does each layer have to be applied and dried on the coater requiring a separate run for each layer, or do all the layers (including the anti-halation backing) all get applied in one go? I expect more than one coating head is used if this was the case.
I have another question regarding coating the film, does each layer have to be applied and dried on the coater requiring a separate run for each layer, or do all the layers (including the anti-halation backing) all get applied in one go? I expect more than one coating head is used if this was the case.
Those two lines just subtly jumped out at me...
When one is standing ankle-deep in the ocean surf with the waves crashing all around, twice each day there comes a very tiny moment when the larger flow of water imperceptibly changes direction.
Standing there with cold and wet feet it's virtually impossible to notice the precise moment that change in direction takes place. Even if one knows the exact time it takes place and is holding a timepiece.
But it does happen. And it only becomes apparent that it has happened further down the road, when one looks back at the water with the greater perspective of additional time passed.
Yesterday I was out with my Mamiya TLR, standing at the head of a large mudflat on Puget Sound. During the heyday of Pacific Northwest timber logging it's where the mills would store raw logs floated down the Snohomish River. Small drainages had cut beautiful serpentine features across the glittering surface.
I didn't notice the young lady with the DSLR who had walked up and was quietly looking at me looking down at the ground glass.
"Is that a camera?"
Looking up, just a bit startled,
"It is, yes. It's called a twin lens reflex. It's a film camera. You look down and out at the scene through the top lens, but the picture is made* through the bottom lens."
"So that's a film camera? They still make film for those?"
I resisted as she was very sincere, replying instead,
"Actually, they do. There's a company in England that still makes a full range of black-and-white film in almost every size imaginable. That's what I'm using right now in this camera."
"Do they still make color film too?"
"They do, but the choices are getting pretty thin these days. However there's a new company in Italy right now that is in the process of building a new, smaller factory just for making color film. They sound pretty serious and seem to know what they are doing. So all might not be lost."
She looked to be perhaps in her late 20s or so. Her parting comment?
"I wish I had a camera like that."
As we smiled and went our separate ways I noticed that during our conversation the water had now begun to cover those serpentine drainages.
True story.
Go Ferrania. Go Italia...
Ken
* Always "made", never "taken", or horror of horrors... "shot". We are not savages.
The film above shows a slide coater in operation. This question has been answered over and over so many times that I am surprised that it is still being asked, but Ferrania has stated that they have such a coater in 2 widths.
The film above shows a slide coater in operation. This question has been answered over and over so many times that I am surprised that it is still being asked, but Ferrania has stated that they have such a coater in 2 widths.
However, all options are possible including one layer at a time, making costs become sky high!
PE
And just as a side note, quality seems to go up with # of layers and coating speed - at least within reason.
PE
If you make the front end head (Hopper at EK) wider, you must widen then entire machine. This is no small job. Every cabinet and roller must be made wider.
Kodak's standard widths were 42" and 72" x about 5000 ft and coating speeds were very high with up to 14 or more layers at one time. And just as a side note, quality seems to go up with # of layers and coating speed - at least within reason.
PE
... and that could be a wonderful 1-2 minutes long tv/net advert for FILM Ferrania. I'm not joking. Thanks for sharing, Ken.
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