I'm reading collection of his interviews. Two fundamental things I'm appertaining. Square is useless format and so are photography schools.
Henry Cartier-Bresson is to photography what Glenn Gould is to the music of J.S. Bach. HCB's brain was uniquely wired to see the world a certain, specific way, as Gould's brain was to hearing Bach's music a certain, specific way. For both: emotion through form, and the supreme organization and equilibrium of its elements.
I have had this shot as a screen saver for some weeks and as much as I am a fan of HCB, I think this shot is arranged. The walker by the wall has his feet together. If you walk this does not happen (or only for an instant). Still a brilliant shot in terms of geometry and composition, but perhaps not a decisive moment. However, I may be wrong.
I went to a HCB exhibition on Wednesday at the University of East Anglia (Sainsbury Centre for Visual Arts). 35mm negatives enlarged to about A1 size. Excellent and inspiring.
I can’t see anything about that on their website. Do you happen to know how much longer it will be on?
Peltigera's post was back in August 2016!
Peltigera's post was back in August 2016!
And there are pictures of HCB with an auxiliary finder
He did not use exclusively the 50mm focal length.
I've always understood him to mean that there is a decisive moment when everything is right to press the button (even for a static subject, because you - the photographer - are moving) ... but not that there is only one such moment, nor that one cannot make several attempts to get it right and select the best one later.It would take forever for you to finish a roll of film if every shot absolutely had to be the decisive moment. Also, maybe it requires 10-15 photos of the same thing to get the decisive moment. Maybe this moment is a better decisive moment than that moment...
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