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HCB Appreciation

Four of the best HCB photos in my opinion:
 

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It represents a leap into the unknown, as is the entire history of the human race. But the photograph in the 20th century is probably the most graphic photographic representation of this fact, recorded on the physical integrity of film.

Very poetic
 
It seems like you're backtracking on your position.
 
This image is not just about superb timing, but the tonal relationship of the composition.

And the Cubist vibe.

My personal test of any photo is ‘Does it bear repeated viewing?’. This one has perhaps become over-familiar to me, but still I find it visually fascinating.
 
It seems like you're backtracking on your position.

Nah i have always liked HCB. Not for all of his photos though. For some of his photos where he obviously tries hard to "create" a photograph i am ruthless against him
 

Thanks Matt so you were not referring to differences in prints.
Yes there is no denying that a print is a physical thing which a screen image is not. What do you create however when you make a print other than a physical picture and what does the effort involved in making a print do to create things that I assume you are saying are not there in a screen image such as a transparency which you screen for the convenience of yourself and possible others in terms of ease of viewing?

Still genuinely puzzled


Thanks

pentaxuser
 
Prints look like prints. They are more than just the image in them. They have physical characteristics in addition to the image included in them. They respond to and are dependent on the light they are viewed with. Some have texture, while others have gloss. They have a physical weight. If made sensitively, they are printed to take advantage of all those physical characteristics, and are printed with them in mind.
Screen images look like screen images - your photography looks pretty well the same as the cat that someone shared with you on social media.
 

Thanks but when I read this, it is to my mind a simple description of a print's physical characteristics only. I don't even know what the last sentence in your first paragraph means. Every time I or anyone else takes a picture it is taken carefully to reflect as best as they are able what they saw and it is then printed as best as they are able so others looking at the print can see what the photographer took or so I would assume

If that if what you meant when saying "If made sensitively etc means that then fine. If it means something else then I'll have to conclude that out two brains work quite differently On this subject we effectively think and speak in two different languages

We may even see the world completely differently in terms of what we see and how we explain what we see

That's just the way we are and all remains fine but I feel we have largely exhausted any more useful discussion so I'll withdraw

pentaxuser .
 

Yes, but isn’t that just visual semantics. A pig weighed in 15 different ways is still a pig. The image whether viewed in a book on screen or as a print is still the same image.
 
Garry Winogrand: “I photograph to see what the world looks like in photographs.”
When he said that, of course, he was speaking of prints (or prints reproduced in books.
Experiencing a print is a substantially different thing than experiencing an image on a screen.
 
A pig weighed in 15 different ways is still a pig. The image whether viewed in a book on screen or as a print is still the same image.

They're all different instances. So, not a pig weighed 15 different ways but 15 different pigs that all weigh the same.
 
Reliability of on-screen images:



first three image results for that album cover.
 
They're all different instances. So, not a pig weighed 15 different ways but 15 different pigs that all weigh the same.

I rest my case.
 
Yes, but isn’t that just visual semantics. A pig weighed in 15 different ways is still a pig. The image whether viewed in a book on screen or as a print is still the same image.

I completely agree. When you look at all the different versions of an HCB image (say) online and in books, the essential admirable qualities remain the same no matter how badly the image is treated.
 
HCB did not come to a Zen moment and said "I most photograph M.L.K.jr"
he was paid...

Bob Henriques’ image depicts Henri Cartier-Bresson pausing, camera in hand, in front of Martin Luther King Jr during the Prayer Pilgrimage for Freedom demonstration in 1957.

one way weighed.
 

So if I take a work-related photo and it turns out to be a good one, it doesn’t count?
 

Why? What do you exactly experience on the print that you cannot in screen, the quality of the paper or texture of it as you said? Is it really that important? It is not painting where the paint has a material texture. And I am saying it me who love prints that is why I buy so many photography books. But I dont believe they are superior to an image in any other form. An image has no material identity it exists in many forms. Maybe like a musical score. And the prints or edits are interpretations
 

But liking one over the other is just a personal preference.