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- Dec 10, 2009
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It's a very versatile developer
One thing I have to say is you have to be consistent with your exposure and your development which goes without saying. I normally use it in dilution "B" which is 1 part concentrate to 31 parts of water. I agitate for the first minute and 15 secs for every minute until the film is done with the developer. I also use it 1:100 with stand development. I agitate for the first minute and let the film stand for an hour. So far, the stand development works with Arista EDU 100 and 400. It seems to work with other films too. I use this technique to tame contrasty negs. But you'll have to do some test to see what works for you and take detailed notes. I've been using HC-110 for over 30 years and the syrup is bullet proof. Even when it goes brown.
I have decided to start using HC 110 the goo type for its keeping property.
I have read several articles on the use of HC110,and of the different dilutions.
Kodak suggest vigorous agitation,of 5 secs at start and then every 30secs.
In Greg Mironchuk's article he states that he only agitates at the beginning of development process and once half way through the process.The reason being that to agitate more makes the negs too contrasty.
Has anyone got any other thoughts on the subject.
One thing I have to say is you have to be consistent with your exposure and your development which goes without saying. I normally use it in dilution "B" which is 1 part concentrate to 31 parts of water. I agitate for the first minute and 15 secs for every minute until the film is done with the developer. I also use it 1:100 with stand development. I agitate for the first minute and let the film stand for an hour. So far, the stand development works with Arista EDU 100 and 400. It seems to work with other films too. I use this technique to tame contrasty negs. But you'll have to do some test to see what works for you and take detailed notes. I've been using HC-110 for over 30 years and the syrup is bullet proof. Even when it goes brown.
