My cameras would require woodworking tools and skills I do not have. I can previsualize the carnage I am capable of, and thus refrain from making repairs if at all possible.
Better to have somebody who has the experience of hundreds of camera repairs. Also, beyond the manuals, there is a required knack not expressed in the manuals. And there is the problem of parts. I needed a tiny screw, a very tiny screw. Fastener dealers told me that that particular screw was a special manufacture, unique and hence unavailable.
Years ago I had a friend who was a third generation worker at Leitz. He told me that there were different engineering cultures. He would fix any German or Japanese camera for me for free, but would not attempt to work on a Swiss camera for any amount because he was uncomfortable with Swiss concepts of camera engineering. Would be interesting if APUG mechanical engineers would comment about validity of my friend’s comment.
If you're talking about Alpa, the original was the brainchild of a man of different names and nationalities:
https://beyondthebolex.com/
https://web.archive.org/web/20051023050531/http://www.alpareflex.com/History.htm
I got an Alpa 11 which needed minor repairs, and an Alpa 5 which needs a new shutter, or at least new ribbons. Perhaps I'm finally ready to have a go at repairing it. It's no museum piece, and clearly someone has already been inside, maybe more than once. So we're not talking about a prime collector's piece.
Also, using an inappropriate tools or cheap ones may harm your gear. it is best to use the right tool for the right job in order not to butcher your part. when repairing a Japanese equipment, it is ideal to use a Japanese industrial standard. To avoid being confused with the whole screw, service manual are very helpful and one of the best guide to repair your camera.
I have learned several things over the years:
- Assembly code is best written by others.
- Machine code is best written by others.
- Camera and lens repairs are best done by professionals for my equipment. YMMV
I also consider maintaining my equipment as part of the expense of my photography.
I have learned several things over the years:
- Assembly code is best written by others.
- Machine code is best written by others.
- Camera and lens repairs are best done by professionals for my equipment. YMMV
TL;DR - Just go for it, you'll figure it out, but make sure you have a spare just in case.
I say throw all advice to the wind and just send it! (this is what the kids say, it means "go all out", "DO IT!" not "send it in"). I'm only half kidding. I have my dads old SLR which got me into this film photography mess and is my daily driver which I will only do the repairs it needs as soon as I have a different option, in case I break it. I also have a pile of cameras that are in different states of repair/disrepair because I buy basically any broken camera I come across just to see if I can fix it.
I was given a Minolta X-700 with a shutter that only opened halfway, producing half frame images. I found some ideas on YouTube about what might be the problem and since I didn't need the camera, I opened it up and replaced a couple of capacitors. It didn't fix the problem but it was broken in the same exact way it had been before! This was great news to me because it meant that I had not done any damage and I effectively did the repair I attempted (it was just the wrong repair). And under the hood of that camera was more circuitry and wiring than I ever imagined would be in a film camera.
I can't tell you how much it boosted my confidence! My next project was a CLA on a large format shutter and I tell ya what, when I got it all back together and it worked properly, I was over the moon.
I am fluent in many assembly languages, and have implemented machine code instructions that the assemblers have left out using Macros.I have learned several things over the years:
- Assembly code is best written by others.
- Machine code is best written by others.
- Camera and lens repairs are best done by professionals for my equipment. YMMV
When you grow up, I implore you, don't become a surgeon.
I am fluent in many assembly languages, and have implemented machine code instructions that the assemblers have left out using Macros.
Camera repairs that I do are only for equipment that I own- Screw it up, I own it.
With that stated: Contax IIIa, cleaning the Viewfinder and RF prism. Picked up a Contax IIIa and Nikon S4 that had been stored in a very humid Safe for years. Bought a collection of bodies and lenses. Spent lots of time cleaning them, got to all but one lens in time to prevent permanent damage. The S4 finder: easy, 20 minute job. The Contax IIIa: about 4 hours. Not designed to be easily repaired and cleaned.
when I grow up? How old do you imagine me being??
Um at least the Contax IIa is very easy to open... Maybe the IIIa has more steps due to the meter, i've yet to open my IIIa. But the IIa is very, very easy to disassemble down to having the rangefinder prisms out.
Yes, i've also programmed some old x86 assembler too...
How about a 7-day pill dispenser with covers that snap. An open ice tray can get dumped.
Ditto that: no better way to learn patience and develop a methodical working process. Repairing cameras and lenses got me through lockdown without losing (too much) of my sanity.I can't tell you how much it boosted my confidence! My next project was a CLA on a large format shutter and I tell ya what, when I got it all back together and it worked properly, I was over the moon.
Once, I fixed a Compur-Synchro shutter, but learned the hard way that the previous person used red loctite on tiny copper screws holding the aperture plate...barely placed them back after rethreading.
Another one was early Copal, where I discovered that shaft holding a spring for the self-timer was glued after an apparent mishap, and it came off nicely once I gave it an ultrasonic bath. I have gladly sent off that shutter to a professional.
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