For slow-but-precise focusing I find both focusing aids (split+microprism) to be a hindrance rather than an aid. The AcuteMatteD screen itself allows you to see how person's facial features begin to "sparkle" within a narrow band of DOF, assuming you're using a fitting diopter and there's enough light.
The focusing aids work better for quicker focusing when shooting environmental portraits or architecture where shallow DOF with focus precision are not required, and there's abundance of straight lines or complex patterns for these aids to work with.
This probably depends on which viewfinder you're using. My experience above is only true for the WLF with a loupe. When using a 45-degree prism finder, I found focusing aids to become more effective, and the screen itself - less useful.
Anyway, this topic is somewhat close to my heart, as I went from "WTF this is awful" Hasselblad focusing experience (initially) to designating it as the most precise focusing camera I currently own. The difference was in understanding how AcuteMatte works: it shows you a blurry image as sharper than it truly is, so instead of energetic focus twists combined with looking for sharp/blurry as you'd normally do with most ground glass equipped cameras, you need to slow down and look for "sparkles". This reminds me of a manual focus assist on some digital cameras, except it's far more subtle.
wow you make me feel like an idiot. Thanks for that XD I will try that moving forward. I was wondering why the backing tended to catch as I inserted it... that should substantially effect the left side of the finished images, right?Forgot to mention something: if you're new to Hasselbad, make sure you're loading your film properly. Coming from Mamiya, I just assumed that Hasselblad backs work the same, and kept loading film over the "rail" (instead of slotting it under, as in picture 4 on this diagram). This led to film not perfectly pressed against the pressure plate on one side, and I thought I had focus issues for a while...
Was only the camera serviced or was the back you are currently using and the lens as well? All of them must be to have proper alignment to get sharp pictures (that are sharp where you expect them). An uncalibrated back could be your problem, because pictures would appear sharp on the screen but be slightly off on the film.
The 110 f/2 is quite demanding of the camera's precision, more so than all the other lenses. I had an aftermarket screen that worked fine on the other lenses (a Brightscreen, which was very nice for manual focusing), but it was back focusing on all the 110 images, just enough to soften the eyes. Switching to a Acute Matte 42170 resolved that. When hand holding, the time between when you see the image in focus and the shutter opens is enough for the thin focus plane to wander off, so good technique is required. Do your focus tests with a tripod and a proper planar target and a sloped scale....Shooting a 110 f2 wide open ...
A couple of thoughts- are you absolutely sure the screen and focal plane distances are the same? A mirror or screen that is slightly out of position will lead to focus errors. I was having focus issues until I had mine serviced.
Second, you mention “rotating the camera”- I assume you mean what is typically called a tilt- adjusting the vertical angle of view up or down via the tripod head. Yes, in critical focus situations that can introduce some error. One solution is to use a tripod with a center column, focus on the eye on the center of the focus screen, then lower the camera for the composition.
I have the receipt from Hasselblad service center for a full overhaul of the camera. The back, camera, and AMD screen that I did the focusing tests with were overhauled together in 2019 and sat in the factory until I received it this year. I suppose I should reach out to Hasselblad service and see what they say -- if there was an error will they stand behind the service?Was only the camera serviced or was the back you are currently using and the lens as well? All of them must be to have proper alignment to get sharp pictures (that are sharp where you expect them). An uncalibrated back could be your problem, because pictures would appear sharp on the screen but be slightly off on the film.
You might want to consider that it’s not the equipment but your application. F/2 wide-open and hand-held, combined with a high degree of critical analysis, could be the problem. You’re in an extreme situation and that may be the source of frustration. Use a tripod and/or “settle” for some DOF before deciding that either your equipment is at fault or you’re a failure.
Another point to be made here: Ensure your acumatte screen is the right way up, when I got mine, someone had flipped the orientation around, i didn't have the best focus during the first few rolls.
Also the microprism collar around the split is a complete hinderance. As @Sirius Glass has already mentioned focus breathing, with a bit of practice, will also improve your hand/eye coordination.
I used to think so too when using WLF, but strangely it becomes more effective at lower magnification of a 45-degree prism finder (PME). I have two AcuteMatteD screens: one slipt+grid, and another with split+microprisms, so I use the former with the WLF, and the latter with the PME finder.
Have you considered f/4?Anyone have tips for accurately and reliably focusing a Hasselblad with some of these "very shallow depth of field" lenses for portraits? Do people have a shooting workflow they use or methods for using the focusing aid? I have the Acute Matte D focusing screen with the split prism + crackle pattern.
I have been using the focusing aid over the eyelashes and trying to minimize my recomposition (/breathing) that I do after focusing. My understanding is that with shallow enough depth of field you can introduce focus error by rotating the camera (and thus the focal plane) after focusing. I think this means, for example, that if I was going to rotate the camera down (to move a face up) after focusing that I would want to err on the near side when doing my focusing.
The percentage of in-focus shots is increasing but I'm still missing even with quite a bit of attention paid to the focusing step. Wondering if there are any tricks or this is just a "sacrifice a number of rolls of out-of-focus frames to the Hasselblad gods" and practice thing.
I prefer ground glass to split prisms or micro prisms especially with smaller aperture lenses or in dim light.
Sorry for the exceptionally long post. My conclusions:
- Probably good move to get the whole kit CLA'd again.
- Probably need to work on my technique and focusing combo (e.g. which focusing aids, prism vs WLF)
- Some of this error is definitely mine, focusing tests suggest the possibility that focus is slightly front.
- I should probably note that I have myopia, though I usually shoot with contacts in or glasses. Would be cool to find a -3 diopter for the WLF or prism.
I have the receipt from Hasselblad service center for a full overhaul of the camera. The back, camera, and AMD screen that I did the focusing tests with were overhauled together in 2019 and sat in the factory until I received it this year. I suppose I should reach out to Hasselblad service and see what they say -- if there was an error will they stand behind the service?
A few service questions:
I ran focusing tests last night. Frames:
- In the US do people recommend I go with the factory service on the 200 series or is there a good independent shop? Ideally I'd like a reasonable turnaround.
- I assume the whole kit needs to go together, right? Can they match two screens? Will they calibrate with the lens?
Notes:
- AMD: with split prism. Seems pretty close, perhaps near (sorry the paper is askew, focused in the center)
- AMD: Using microprisms, towards the front side of what looked "in focus" - seems garbage
- AMD: Using microprisms, towards the back side of what looked "in focus" - also seems garbage
- AMD: Using the screen, perhaps near but close
- AMD: Split prism on the line, really near
- AMD: Using microprism over the "lake" text. Seems just about dead on.
- AMD: microprism on the 6 on the ruler. Quite close, tad near.
- AMD: microprism over the reflection on the speaker. Seems dead on.
- GG: Switched to ground glass screen, dot pattern on 6, seems quite close but a tad near
- GG: Ground glass (best I could), seems dead on.
- GG: on the right side of the brick divet dead center.
- AMD: right side of brick divet
- It's hard for me to determine how much of this is my error versus calibration. It would appear there may be a small calibration issue to the front.
- I think the suggestion that the focusing aids aren't always good for precision focus may be on the right track.
- GG seems closer, not sure if that's just due to my finding it easier to use.
- AMD feels like it exaggerates DoF (see cell phone shot). I think I need to work on using the AMD.
I will master the art of the 110 f2 handheld, just you see
Which side is "up?" I think I may need to revisit relying on the microprism focusing aid in the WLF for my photos. I feel like I pull the focus back and fourth and have trouble figuring out what's "right."
Yeah I've been a bit frustrated with the microprism on the WLF. It seems to not be very precise. Do you use the split prism on the WLF or rely on the screen? Is WLF plus no focus aid a popular strategy?
Have you considered f/4?
I don't have advice for focusing but I did notice that my accuracy improved when I switched to using a 45-degree prism finder, although I don't know why that is.
Which GG would that be?
Yes.Some Hasselblad lenses have a maximum aperture of f/5.6 or f/8.
I've done that. I have a RZ system as well as Hasselblad. I know how to load both types, but I've had to take the take up reel off and reposition the film more than once. I love both setupsForgot to mention something: if you're new to Hasselbad, make sure you're loading your film properly. Coming from Mamiya, I just assumed that Hasselblad backs work the same, and kept loading film over the "rail" (instead of slotting it under, as in picture 4 on this diagram). This led to film not perfectly pressed against the pressure plate on one side, and I thought I had focus issues for a while...
I've done that. I have a RZ system as well as Hasselblad. I know how to load both types, but I've had to take the take up reel off and reposition the film more than once. I love both setups
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