I don't disagree re: Goya but I do think it's long past the time when we deserve to see "artistic intent" in war photos.
Bob Carnie provided a good example.
Admitting that one doesn't know what "artistic intent", or some other idea "means" is both honorable and reasonable.
I am really not sure that Carnie's example proves the point about "artistic intent". Assuming that any war photographer has the ability to take reasonable good pictures and there are some photographers who just seem to have an innate talent for composition that always seems to be a part of every shot, this does not mean that they had an "artistic intent", by which I assume that you mean that they intended to create a work of Art (intentionally in caps) rather than presenting the conditions of war as well as they could under difficult circumstances. Or do you mean that after taking pictures the photographer selected those that were considered the best of the lot that they considered to be noteworthy pictures (This would seem to be the circumstances of Carnie's example). I believe that the question is not what I believe the expression "artistic intent" means but what you believe "artistic intent" means. That is what I am still not very clear about. Among my artist friends, unfortunately most of them "late friends", all represented in many of the great museums of the world, I don't remember ever hearing the expression "artistic intent" ever being used.
My own candidate for war pictures is Letizia Battaglia's pictures of the Mafia wars in Sicily. Her pictures resulted in the conviction of a number of Mafiosi, including a Prime Minister. Not beautiful pictures but they give expression of the terror that Sicilians lived under. But did they have "artistic intent" or some other intention?
May I suggest a book: "Intention" by the philosopher G.E.M. Anscombe. I read it when published in 1957, so I am not sure if still in print.
This has little to do with "artistic" war pictures but in my lifetime I have known at least one person who "made art" every time he took a photograph. He was born into an "art" household. His father was a painter and his mother was a concert pianist. He grew up with "composition". Many times he did not realize that every time he tripped the shutter, developed the film and made a print, it was a "work of art". I would look at his pictures and marvel and he would say that he worked on making a print until it looked "right". If he shot a "war" picture, it would be artistic because the knew no other way. You may scoff but these people do and have existed. I was proud to consider him a good friend. He moved away, became a photographer for a religious organization. I am sure he probably is no longer alive........Regards!Sounds like you're uncomfortable with photography as art. That's ok with me...I often have reservations about art claims as well.
I won't say that I disbelieve your claims about your dead or otherwise unknown experts...but I don't think you've expressed any idea on your own. Please try again...I may not be too dense to see value there.
Sounds like you're uncomfortable with photography as art. That's ok with me...I often have reservations about art claims as well.
I won't say that I disbelieve your claims about your dead or otherwise unknown experts...but I don't think you've expressed any idea on your own. Please try again...I may not be too dense to see value there.
The intent to make art arises in the artist. Regardless of what artifact results, if the intent was an expression of art, it is therefore art to the artist.
External criticism, for example someone saying, "Hey, that ain't art," is irrelevant to the original intent. From the outside, it may not be obvious that the artifact in question, say a photograph, was intended to be art or not. Without direct knowledge expressed by the creator, the world has to guess. Looking at some particular photograph, it certainly may not be obvious what intentions were behind it. So, artists have some responsibility to make their intentions understood. This is more true with photography than say painting, because there aren't so many documentary painters, or journalistic painters.
You have still not defined “artistic intent”! Is this your own original idea? Sounds like something only an academic could come up with. My comments have nothing to do with whether photography is art or not, but with your ideas regarding “artistic intent”, which seems to me to explain nothing.
By the way, a number of years ago, as a member of a group of photographers based in NYC, I put together an evening forum of volunteer participants that included Ralph Gibson, Dwayne Michaels, Lou Stettner, Eve Rubinstein, and Roy DeCarava. Quite a mix of approaches to the art of photography. A great evening enthusiastically and aggressively discussing the art of photography . So, while perhaps not as profoundly knowledgeable as you about art, including photography, I do have a a little familiarity with art, including photography.
I don't know what was going on in the minds of the war photographers when they made their images, so it is hard to say which one's had artistic intent and which ones did not. I don't think you can make that determination after the fact unless the photographer is on the record one way or the other.
You may recognize resulting images as art or infer that photographer had artistic intent, but, without more, that is just post facto categorization. The most important factor is what the photographer intended at the time he made the images. Some you can guess, like the linked photographer who used IR film. Presumably that was intentional, and the photographer intended to go beyond (mere) documentation, though it just seems to be different for the sake of being different.However, as we see in a number of posts in this thread, some of us do recognize art, some recognize artistic intent...Others refrain from, or are afraid to express their own ideas...Some defer to asserting that various photographers are "artists" because they have art degrees or appear in college presentations...or have appeared in Popular Photography etc. Importantly, some photographers produce both what they call art along with their professional non-art and aren't afraid to say that. Ansel Adams was one example, and I've personally known many others (often with degrees from RIT).
Shouldn't the photographer's work speak for itself and leave it to the viewer to decide whether it is "art" or not? Or are all the viewers too stupid to make that determination because they might not be photographers. I have seen that attitude voiced by entrants in photographic salons where one judge out of three was a professional "paint" artist. in an attempt to insure that some of the pictures might not be completely judged on photo-technique alone. In this group, must you be a photographer to recognize photographic "art"?.......Regards!The intent to make art arises in the artist. Regardless of what artifact results, if the intent was an expression of art, it is therefore art to the artist.
External criticism, for example someone saying, "Hey, that ain't art," is irrelevant to the original intent. From the outside, it may not be obvious that the artifact in question, say a photograph, was intended to be art or not. Without direct knowledge expressed by the creator, the world has to guess. Looking at some particular photograph, it certainly may not be obvious what intentions were behind it. So, artists have some responsibility to make their intentions understood. This is more true with photography than say painting, because there aren't so many documentary painters, or journalistic painters.
Some fantastic picture there Rachelle, specially like the last.This reminds me of photographer Joshua Corbett, who photographed Dead Link Removed. I haven’t read why he chose to use a plastic camera in a war zone, but the fact that he did so seems to indicate that he did so with artistic intent.
Sorry you don't like the phrase. Perhaps it's too common for you. Perhaps you are incapable of addressing the question.
Dragging names of popular photographers into the discussion seems outright unethical, since they evidently had nothing to say about "artistic intent." Yes, you do know the names of big name photographers (from another era), but use of those names doesn't relate to the OT. Does it?
Shouldn't the photographer's work speak for itself and leave it to the viewer to decide whether it is "art" or not?
Viewers can decide if they like some art or not, but they can not declare what is or isn't art. i.e. you can't pull that choice from the artist.
Declarations would be foolish...however speculations, like questions, can inspire thought and seeing...which are good things. Questions suggest intelligence.
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