The results I get are different, whether I tone before or after the fix... One gives me more tone change, and the other nicer dark tones...
Are there any reasons why toning before the fix is the "usual" recommendation?It's a striking difference for sure! I have to admit that I tone Van Dykes and also salt prints almost invariably after fixing, so I'm quite familiar with the appearance it gives. I like the more neutral/cool hue.
I vote you get a slap on the back and a hero badge for making such large test prints. Thanks a bunch for sharing!
Are there any reasons why toning before the fix is the "usual" recommendation?
Thanks for that..I'll give it a whirl next time I get in the dimroom. This is interesting to me because I like the idea of working through as many work prints as needed before reaching for the gold/platinum/palladium toners.My understanding for the advice "tone before fixing" is that gold toning produces silver ions which need to be completely removed in order to have a stable print. I have never seen any experimental evidence for this assertion.
I suppose that if one wants to be careful one should re-fix a print that is toned after its initial fixing.
Yeah, I think the reasoning is that it'll prevent the print from bleaching in the fixer since the gold won't fix out while the very fine metallic silver may be partly affected by the solvent action of a fixer especially if it's acidic. This can also be avoided by keeping fixing times short (a minute or so for kallitype/Van Dyke) and using a dilute and pH neutral fixer (i.e. plain hypo).Are there any reasons why toning before the fix is the "usual" recommendation?
@koraks I've been using a rapid-like fix with a one minute time.
Thanks for this, Andy—I prefer the warmer toned before fixing version, but both are appealing and I can see why you're conflicted!
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