If the room temperatures were fairly temperate, it will probably have held up well.My problem is I don't know how the roll was stored all those years before I bought it. It could have been room temperature all that time.
Do a bit of bracketing, and try both high contrast and low contrast scenes.True Matt, but I bought it off Ebay, so who knows. I'm going to shoot it today and send it off after.
AFAIK the base for a 120 film would actually be different. So it's not just slitting a 120 pancake off a master roll, but manufacturing a different master roll to begin with. Not to mention it's not just slitting off 120 pancakes but also having to deal with the rest of the finishing process AND the associated SKU's for backing paper, packaging etc.I dont know why Kodak won't slit a small batch off the master roll in 120?
In addition, there are all sorts of other technical changes that relate to the fact that backing paper is sandwiched with 120.AFAIK the base for a 120 film would actually be different. So it's not just slitting a 120 pancake off a master roll, but manufacturing a different master roll to begin with. Not to mention it's not just slitting off 120 pancakes but also having to deal with the rest of the finishing process AND the associated SKU's for backing paper, packaging etc.
I doubt that there are even accurate bad estimates. I’d guess the same, though. Sad but probably true.Are there any good estimates of market for 120 color negative film? I would think it's dismal.
Are there any good estimates of market for 120 color negative film? I would think it's dismal.
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