I can't recall for certain but it seems back when I was doing film in the summer I'd buy so many gallons of distilled water and just let them sit in the darkroom till time for wash. Downstairs in this split foyer, being partially underground, it stays a constant 68-70 degrees with the de-humidifier running in the summer so, washing at the proper temp was no big deal. I just can't recall how many gallons it took for a proper washing...maybe 4-5, can't remember.
The room temp isn't the problem, it's the tap water here in the summer. I may not have used that much water before as that was long ago and I can't recall. I do think I may have used two gallons when the tap water got over 75 degrees. I didn't want to process the film with all the chemicals at 68-70 degrees and then wash at 78.
There is no such thing as "the proper B&W temperature." 68F was chosen decades ago because in all but the coldest darkrooms you should have no problem reaching that temperature. I haven't developed at 68F in at least 20 years. It's true that, ideally, the wash and solution temperatures should be close though modern films are not nearly as susceptible to problems from that as they used to be. With wash water at 78 I would just standardize my development at 75 or so (as I have for other reasons), wash at 78 and get on with it. With development times dialed in for the temperature this will cause no problems at all.
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The problem with cutting back on developing time due to higher temperatures is I like HC-110, which is already a short 5 1/2 minute developing time I established long ago. Kodak warns of using a time anything less than 5 minutes with this developer as undesirable effects could occur. Maybe ID-11 would be a better summer time developer.
There have been some good suggestions as how to combat my fear of processing/washing at too high a temperature. I think for the first time developing since long ago I'm going to try using a couple gallons of room temp distilled water for washing. The other chemicals I can mix and let stand in the graduates till they get to the proper temperature. Where I'll be doing the developing usually is never over 70-72 so, they could just sit out awhile until ready.
I don't quite follow why Photoflo is suspect. I've used it since 1977 with no problems.
The tap water is too warm as I mentioned, more warm than I've used before and a tad hard. I haven't tried the ice method before. Maybe it would be good to give it a try.
I suppose you're right. I always liked keeping everything +-2 degrees but didn't want to start with the developer at anything over 70-72 at best.
Wash aids were invented when Navy shipboard photographers washed in salt water and only used the previous fresh for a final rinse and noticed the salt water gave a much faster, better wash.
I suppose you're right. I always liked keeping everything +-2 degrees but didn't want to start with the developer at anything over 70-72 at best.
You may well want to change developers or dilution (warning, changing dilutions changes traits that can't be exactly duplicated by changes in time) to get a longer development time at a warmer temperature but as I said I standardized on 75F in the mid 90s when I got a Jobo. Occasionally in summer my ambient solutions are warmer, maybe 76-78, and I just adjust the time a little using the Ilford chart. Works fine for such small changes. And you definitely won't hurt any modern film by developing at 75F and washing at 78F or even 80F. I've done it many times. Even Foma film isn't harmed in the slightest (but Foma is delicate stuff at any temperature while wet so handle that carefully.)
Don’t see a problem with tap water of 78 degrees Fahrenheit.
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