Gender bias in photography analyzed (by some interesting empirical data) and an essay

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BrianShaw

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Level playing fields are very difficult to find. I can't think of one; can you?
 
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CatLABS

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He was losing his sight when most of his famous paintings were made. In addition during his last years he struggled with severe arthritis in his hands. So bad that he could no longer grasp the brushes and they had to be tied to his hands.
Yet he still became famous - think what would happened to a nearly blind black person or women of the same era who wanted to be a painter. I am sure there were many, but we never heard about them. Max Geller is clearly smarter then some.
 

Gerald C Koch

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It appears that not only is Geller an idiot but also a self-aggrandizing ass. He should be jailed and placed on only water and treacle tarts. Hardly someone to trot out for their opinions on anything.

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removed account4

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i worked for a woman who was born in 1915 or so,
she opened her portrait studio in the 1930s,
learned through a correspondance school
( grew up with nothing, fatherless on a farm in rural maine )
ran her studio for probably 60 years
photographed everyone from governors to ceo's to regular people off the street
was the first photographer to be asked to join the providence art club ( she declined )
was one of only a couple of woman photographers who operated a studio the years she ran hers
never joined any groups like the one in the links ( good essay btw ! )
and from her experience as she relayed it to me, it was hugely difficult for her as a woman to
run a studio. people didn't take woman photographers seriously in those years, even though they
worked 3x as hard, produced better work, they received very little glory.
and because she was a working woman and GOOD at what she did, all sorts of nastiness from competing photographers ...
while she was hands down the best photographer in the region ( SHE ran bachrach out of providence )
... she was never thought of as being successful.

while the statistical sample is a good one, its important to know a lot of people working in the field don't join groups or associations.
i have been working in the field 25-30 years and i am not a member of any of these professional associations either.
 

Dali

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Let's be practical. Now that the alleged bias has been "analysed", what is the next step? To condemn the majority's attitude is one thing, to find a possible solution is another thing.
 

Gerald C Koch

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Let's be practical. Now that the alleged bias has been "analysed", what is the next step? To condemn the majority's attitude is one thing, to find a possible solution is another thing.

Anyone with talent needs to be recognized for both aesthetic and monetary reasons. How to achieve this noble sentiment. As in most things the devil is in the details. I personally am opposed to any sort of quota system as has been suggested. That is to dedicate a certain percentage of gallery or museum space to woman and minorities. The chance of abuse is all too easy. Why should a person of lesser talent be favored over one with greater talent. Let the market place decide. People like Geller would consign 60 Renoirs to the dustbin and use the space to display contemporary art from woman and minorities.

With the advent of the internet anyone can self-publish their work. A gallery or museum is not needed. So in reality quotas are a solution in search of a problem. Any person or group that thinks their work is under-represented can hold their own show on the web. Post necessary information on social media. The ultimate in fairness.
 
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CatLABS

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The "market place" is run and dominated by white men. They decide all too well as we have seen in the history up to now.
Social media has built in gender biases - male nipples - OK, female nipples - DIRTY, etc., and more and more.
 

Gerald C Koch

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The "market place" is run and dominated by white men.

Really, I thought nobody ran it and it was dominated by money. The market place being run by a cartel of old white men seems to be a particularly Victorian concept. All that changed with the internet. If one self-publishes one's own work then they are in control. No need for galleries, etc. Dozens of photographers do it all the time. Want attention for your work publish. There are dozens nay hundreds of such sites on the web selling a particular photographer's work. I really can't see any problem. It's all up to the individual photographer.
 
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Sirius Glass

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... indeed
 

Truzi

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CatLABS,

I don't think most of us disagree that bias exists.

I think part of the issue in these threads stems from methodology - hey, we've a bunch of techies here, so it is natural to want some real statistics, not mathematical averages or opinion pieces. This is why some cry out for peer-reviewed journal articles/research. This sentiment also occurs in threads about the Zone System, ISO v. EI, etc. Some people want numbers, and want them to be obtained through scientific methods.

I feel another part of the issue is how much of a disproportionate number is attributed to bias and how much to other factors. For example, in an hypothetical situation with a population ratio of majority to minority of, say, 4:1, then a 4:1 representation in a field/discipline would be considered equal. Larger or smaller ratios would then require prejudice to be teased apart from other possible factors.

Yet another part, in my opinion, is pre-deciding that anyone in a "majority" group is automatically guilty of bias/prejudice, either in practice or through genetic predisposition; holding straight white males accountable for the sins of their fathers, as it were.

A more productive thought may be to agree bias exists, disagree on the percentages, but focus on how we can each do a little to help improve things.
 

winger

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The "market place" is run and dominated by white men. They decide all too well as we have seen in the history up to now.
Social media has built in gender biases - male nipples - OK, female nipples - DIRTY, etc., and more and more.

My bank account would seriously disagree with you.

And on the web, it is much easier for "the masses" to buy whatever art they find, many times without having the slightest clue whether the artist is male or female.


The nipple bias you mention is a totally different argument and has more to do with the USA than other countries.


A huge +1 to Truzi's post.
 

Sirius Glass

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Yep. Yep.

If the data was not scientifically collected and peer reviewed then it will not float here and it will just be a subject for humor. thus many of the above comments.
 

OptiKen

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Males out number females as Sanitation Engineers....there are more female stylists than males....there are more male gardeners than female,...there are more female nurses than males....
What does it mean? Could it be that fewer females choose photography over other jobs than males? Shouldn't we begin this type of 'disparity analysis' with a survey that asks the question, "Which job would you choose?" and then weigh that by gender against any surveys like the ones the OP pointed out?

I like analog photography for the mechanical aspects of it and the engineering involved. I have fun playing with my chemistry set (developers,fixers, toners, and stop) when I develop my own film or prints. It's what I like and I suspect that those aspects appeal more to the male side of me than my feminine sensitivities. In opposition, I have a female friend who likes some of my photography and uses it to make ceramic mosaics and embroidery pieces. She has little interest in the process of taking pictures and zero interest in all about photography that appeals to me. We choose different arts, different ways of expression. Not because I am being repressed from making mosaics or embroidery and not because she has been told that she cannot be a photographer. It is our choice.

There are way too many extremely talented and famous female photographers thoughout history to imply a gender bias. I doubt that ANYONE was denied a career or hobby in photography due to their gender. And what either gender produces reflects their vision - NOT their sex.

The mere 'fact' that statistically there are more red M&Ms in the small bags than brown or more green M&Ms than red in the large bags is chance...not discrimination. The fact that I eat the brown ones before any others is my 'choice', not discrimination- not in the way that is implied by 'studies' like this. The fact that there are more female stylists than male is a decision of 'choice', not discrimination. The fact that more young people than older people work in fast food is a matter of experience and choice - not age discrimination.

Choosing ones profession or one color or ones hobby does not make a case of discrimination because you didn't choose something else.
It's choice, chance, talent, desire.

To tell someone they cannot eat at the counter or sit in the front of the bus because of their sex, height, weight, color, religion, smell is discrimination.
Simply because someone chooses not to eat somewhere or ride the bus is not.

Before you start drawing conclusions as to why more males work in photography than females, you need to ask what their choice would be.
 

pbromaghin

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Truzi, thank you for this. This kind of thought is every bit as racist and ugly and despicable.
 

DREW WILEY

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There is a couple of much shorter threads on this same topic on another forum which I replied to already, and I certainly don't intent to read
all the foregoing on this one. But the article instigating this itself sounded like a typical overtly politically correct diatribe loaded with nonsense stereotypes which resonate only if one selectively sifts the alleged evidence to match a predetermined conclusion.
 

Dali

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We are several here to come to a similar conclusion as your.
 

DREW WILEY

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Let's just say I run into more successful female photographers than male ones, even in this neck of the woods, which also happens to be the
wealthiest part of the country. And I see ZERO evidence of them being discriminated against in high level art positions, like museum curatorial
roles. Maybe Hollywood is a bit different, because it's basically corporate.
 
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