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I attended the opening of the new Garry Winogrand show at the Jeu de Paume museum in the Tuileries gardens in central Paris, and can report that it certainly gave me -- as someone who admires what can be accomplished by street photographers -- lots to think about. One of the organizers of the original show at SF-MOMA was in attendance, and told me that this Paris is show larger that what was recently shown in Washington D.C. because the JdP was able to offer more gallery space. The show is proposed in three parts, marking the early (NYC), middle and late (Los Angeles) periods of Winogrand's photography, and has a looped movie of an interview Winogrand in which he responds to questions from students about his photography and techniques. Many of the images from the Los Angeles/third era section are from negatives that Winogrand never saw, had never developed in some cases, as selected by curators and a photographer friend of Winogrand's. I must say that it struck me that Winogrand's early work was superior to what he produced in his later years, and it occurred to me that perhaps Winogrand, a native New Yorker, was most productive in that environment that he had grown up in. And it seems to me, based on other photographs taken in NYC (e.g., Smith), the city in the 1950's seemed to throw up photographically enticing photo opportunities at every turn, all hemmed in by and occurring among the towering buildings. Los Angeles is entirely different in terms of density, history, layout, light, attitude, and perhaps this difference shows that Winogrand was a product of, and most successful in, his original environment.
If you're planning to visit Paris in the next few months, put this on your list of must-see shows here. It will move on to Madrid after Paris.
If you're planning to visit Paris in the next few months, put this on your list of must-see shows here. It will move on to Madrid after Paris.