Clay-thanks for the info. I guess the lack of or whatever answers the question.
So everyone who is buying these holders has one of these cameras?? Or are you going to start modifying 5x7's and 8x10's?? Just VERY curious
Thanks, Peter
Err...most of us have at least one whole plate camera. Maybe three. I'm losing count.
There are plenty of whole-plate cameras available - maybe less so in the States compared to England & Japan?
Here's the reference for the firestarter threads Peter:
http://www.largeformatphotography.info/forum/showthread.php?t=23909
http://www.largeformatphotography.info/forum/showthread.php?t=23875
Of course, the Ebony is a goal-post niche product in the whole-plate camera revival: it probably is the only modern whole-plate camera in (current) manufacture. The rest of the available whole plate cameras are more vintage cameras which require some degree of work or restoration.
OK so someone tell me that in order to use these holders I will need a specialized view camera to use them??
Ok.....you need a specialised view camera to use them.....not!
A traditional whole plate camera - UK = Sanderson/Thornton Pickard/ Lancaster/Gandolfi/Coronet models, or Japanese (Nagoka, Charten, Ebony), or American (you guys know more about these than I do) is all you need.
There are various 8x10" cameras which can accept a whole-plate reducing back. If there is no pre-existing whole-plate reducing back, that's where the camera machinist comes in to manufacture a reducing back for your 8x10"....
Or to have a camera back modified by Richard Ritter
Oren's answered that question for you. Yes.
Would it not be possible to be able to have the holders fit into the sliding back of my current 8x10? ;or am I asking too much?? I mean these cameras don't exist so why is everyone ordering holders?
Not at all - you're asking the same question that most of us asked. The modification charge for your 8x10" may however be the same as a whole-plate camera + lens....
Essentially the whole-plate format (6 1/2 x 8 1/2") lives on, despite the slide of the whole-plate camera into history's annals. I think the internet does indeed have a lot to do with this, particularly that awful auction site where suddenly, a whole-plate camera being off-loaded in the middle of nowhere, becomes instantly accessible to every other obscure whole-plate fantasist across the ocean. Some of us have always admired the whole-plate format for its size and format dimensions, only to have been thwarted by the lack of camera knowledge/film availability etc. Personally, I think adapting an 8x10" is only a part-solution, as the attraction towards whole-plate is a personal size of camera and negative area which is more manageable for book-printing and design as contact prints.
Again, don't get too over excited about film availability.
I've just heard from Fuji that whole-plate Fuji Acros is no longer available ;(
If you are ever in the British National Portrait Gallery or anywhere where Victorian plate photographs are displayed (Julia Margaret Cameron, Dorothea Lange, Ansel Adams etc), then the whole plate format and its attraction will start making sense...