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Fuji says Silver paper doing better business!

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Fuji Europe explicetely list their RA-4 (made in Europe) papers as offered in rolls only.

Whether the papers offered in Europe (including the UK) are converted by Fuji themselves or by someone else I do not know.
 
I don't believe a word Fuji say, they said how they were highly committed to film and, a few weeks later discontinued more than half of their film range.
 
I don't believe a word Fuji say, they said how they were highly committed to film and, a few weeks later discontinued more than half of their film range.

You expect me to believe this as a fact? Sorry, but it's rubbish. Count the films. Then do the math.
 
I don't believe a word Fuji say, they said how they were highly committed to film and, a few weeks later discontinued more than half of their film range.

You expect me to believe this as a fact? Sorry, but it's rubbish. Count the films. Then do the math.
I would not be surprised next year if we lose one or two more films from Fuji, but from an Australian perspective Velvia 50 is doing well. The distributor is very coy, but the online retailer often runs out the moment new stock arrives.
 
Even Fujifilm USA can be a pain in the butt when it comes to importing certain films, even when sufficient batch-orders exist. RA4 paper is a different subject. Mini-lab use is minor in terms of actual square footage. There are still pro labs doing both big enlargements and laser printing
onto Crystal Archive papers. A number of people prefer the look to inkjet, and overall, it's more cost effective once the scan is made. Or like me, simply start shooting color negs and printing directly onto RA4 paper. If enough of us get into that, then we might once again see a greater selection of cut sheet sizes and types available. In the meantime, we cut down from rolls anytime we need something bigger than 20x24. I'm a bit conflicted about any marketing term that has "Archive" in it, because that's a relative expression, and anything which is projected to begin yellowing within a normal lifespan is kinda equivocal in terms of being sold as permanent or "archival. But still, these papers appear to be a distinct improvement over previous RA4 papers, so at least progress is being made. And I'm certainly not convinced that the
alternative inkjet products are necessarily all that permanent either, once all the relevant factors come into play and not just extrapolated
results from accelerated aging tests based on a limited suite of variables.
 
I'm one of those people that prefer if Fuji discontinues lines of film that don't sell well and keeps the business profitable. If your darling film is gone, blame yourself and other people who didn't buy enough of it. Don't blame Fuji, they are not there to be charity for you.

I prefer for them to have few very strong lines of film that are profitable, even though I'm one of the ones who regrets that Provia 400X and Neopan 400 are gone. But if they didn't make money, it can't be helped...
 
You expect me to believe this as a fact? Sorry, but it's rubbish. Count the films. Then do the math.
I would not be surprised next year if we lose one or two more films from Fuji, but from an Australian perspective Velvia 50 is doing well. The distributor is very coy, but the online retailer often runs out the moment new stock arrives.

Absolutely. Fujifilm has NEVER discontinued even close to HALF it's film line.
 
I'm one of those people that prefer if Fuji discontinues lines of film that don't sell well and keeps the business profitable. If your darling film is gone, blame yourself and other people who didn't buy enough of it. Don't blame Fuji, they are not there to be charity for you.

I prefer for them to have few very strong lines of film that are profitable, even though I'm one of the ones who regrets that Provia 400X and Neopan 400 are gone. But if they didn't make money, it can't be helped...

I just wish Provia could have died and Astia have lived. I can't get my head wrapped around that decision at all.
 
I just wish Provia could have died and Astia have lived. I can't get my head wrapped around that decision at all.

I agree with you there, BUT! Astia was mostly used by pros who went digital, provia was mostly used by consumers who still used film. Also provia 100f and 400x look similar enough, so I guess it made sense for fuji to continue it. Just like we have pro160ns and pro400h films.

I actually regret that 400X is gone. I can blame myself for it, I came back too late to the whole shooting film....
 
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