Tony-S
Subscriber
I guess you didn't see my post?

Reala 120 is back in stock at B&H Photo, but not at Adorama or Freestyle. I just ordered two pro packs and they've already shipped.
Reala 120 is back in stock at B&H Photo, but not at Adorama or Freestyle. I just ordered two pro packs and they've already shipped.
I dig it in 120 myself but haven't tried the "superia reala" in 135. I hate superia 400 in 135 but that's a different kettle.
I was making 10x10's from hasselblad negs and everyone in the community darkroom was marveling at it's lack of grain.
Ektar is probably finer grained but I've seen some funky casts from that film so have delayed trying it until my reala is gone.
135 Superia Reala isn't the same critter as 120 Reala--my fave C-41 film. I've always liked plain old Superia 200 for 35mm.
I'm primarily a portrait photographer and although I love Fuji Pro 160S for it's intended use portraits and reproducing accurate skin tones, to me it's much too lacking in saturation and contrast to be considered general purpose, whereas Fuji Reala IMO can produce very creditable results in many more and varied types of photography including portraiture.Or He called it "Fuji 160S".
135 Superia Reala isn't the same critter as 120 Reala--my fave C-41 film. I've always liked plain old Superia 200 for 35mm.
I mentioned this in another thread on Reala but seems many do not believe or choose not to. 120 Reala is almost like NPH in contrast and saturation in my book, a gorgeous film, but nothing like 35mm Superia Reala which is much more contrasty and saturated.
My experiences of 135 and 120 Reala are the same as yours, I have been using them for several years and have never had any reason to think they were different films.I'm actually one of those who is sceptical of the claim that 120 & 135 Reala are different. There's no data sheet for 120 but for me both films print on the same filter pack and look the same when printed onto Supra Endura. Density seems the same also as my exposure times are the same for both types. I have no way of measuring contrast or saturation. When I first got a medium format camera I was keen to try the different 120 Reala, but I couldn't see any difference.
I have an older Fujifilm Data Guide that certainly seems to indicate that 35 and 120 are the same emulsion. They list 35 and 120 together and show a single set of curves for them (Spectral Sensitivity, Spectral Dye Density, Characteristic Curves, and MTF). Things could have changed later of course.
I have an older Fujifilm Data Guide that certainly seems to indicate that 35 and 120 are the same emulsion. They list 35 and 120 together and show a single set of curves for them (Spectral Sensitivity, Spectral Dye Density, Characteristic Curves, and MTF). Things could have changed later of course.
I think an official notice of Reala's discontinuance will appear on Fuji's website in a month or so. Nationalphoto, which is a photo retailer for pros in Japan, put a notice of Reala's discontinuance last week on their website, saying that they were informed from Fuji of the discontinuance. This kind of information from Nationalphoto has always been very accurate and it usually comes well before Fuji releases an official one. According to the notice, Reala in 135 format will be out of stock in around April, and so will be 120/220 in around September.
http://www.nationalphoto.co.jp/1F/fuji_news_03.htm
Very sad....![]()
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links. To read our full affiliate disclosure statement please click Here. |
PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY: ![]() |