btaylor
Subscriber
I’m a long time Freestyle customer and I have used the LP L110 concentrate for years (same bottle). I keep waiting for it to go bad, but it doesn’t. I use dilution H, 1:63 straight from concentrate, one shot.
The other thing is, modern HC-110 isn't the legendary long-lived variety any more. The formula was changed (in 2019?) to a much less viscous mixture that gives reason to believe its longevity has been greatly curtailed.
I agree, by volume, there's not much price difference. But if you develop infrequently and can't use up the HC-110 bottle before it goes bad, then you won't have saved any money. Of course, nobody knows the long term shelf-life of the new HC-110 formula, so it may or may not be moot.A very quick check at the B&H web site shows...
Legacy pro 110 $15/pint = $31.70/liter
Kodak HC-110 $35.00/liter
not really a huge price difference.
I keep hearing this, often stated in the form of a hunch. Has there been any published documentation, or any manufacturer statements, or has anyone run any tests, to show whether the longevity has actually changed with the new formulation?
That the new stuff is different is easily observed to be true. That the new stuff doesn’t keep as long as the old is speculation at this point. Maybe it does maybe it doesn’t. We do not know...yet.
Update: HC-110 precipitate; August 14, 2020
We’ve had reports of precipitate forming in the bottom of unopened bottles of HC-110 developer
Our investigation has shown that crystals form with freezing. As a result, our supplier is making minor change to make the formulation more robust to cold temperatures. Testing indicates this will resolve the issue.
New / improved batches will begin shipping by the end of August
If you have additional questions, please contact ProPaperChem@kodakalaris.com
Yes. In my case, I unfortunately develop infrequently so I like knowing that I have developer in the quantity I need immediately available. I also like the Freestyle clone as a developer. But I agree, it is easy to get into the weeds on small details of cost. That’s why I always think it is odd to complain too much about film costs- I spend so much more on travel and gear.Unless you are storing unused HC-110 for the apocalypse (which I admit feels more and more likely these days), I never quite understood the fascination with its supposedly decades-long shelf life. Isn't developer meant to be used, not stored on a shelf? And if you did happen to keep it for decades on a shelf, why risk it? Our time and equipment are expensive, and some images are irreplaceable, but developer is cheap. I mean, $30 for 1L of undiluted stock compared to the hundreds and thousands of dollars we spend on our equipment to get the best image quality? Maybe it's just me, but judging a developer solely on its shelf-life seems seems to be missing the point.
Glad to hear that. I’ve been using it for over 30 years. When the announcement that the old stuff was being discontinued, I bought 4 bottles. I use it replenished with old stock replenisher. My friend gave me a bottle of Rodinal and it’s good, but my film ends up grainier than if I use HC-110.I[/U]Without having any proof however I kind of feel that the two developers (HC110 & L110) are probably prepared the same way or they may even be made by the same supplier.
Here's why I think the new stuff won't last the way the old does: the longevity of the old HC-110 syrup is generally attributed to the fact the concentrate contains no water. The working stuff is dissolved in (I've read) glycerol, anhydrous, which means the phenidone doesn't ionize and break down. Any developer that has phenidone dissolved in water will break down in a fairly short period of time (a few months, generally).
The new HC-110 concentrate is far less viscous; by report, it's similar to a water based concentrate in that regard, as opposed to the syrupy consistency of a concentrate carried in a waterless, water-soluble solvent. If it were dissolved in 90% alcohol (which has been used in the past to store phenidone as a solution) users would have reported the odor of the alcohol. Most other suitable solvents are much more viscous than water, like the one that was used originally (and until a couple years ago).
Hence the (unproven) conclusion that the new HC-110 likely won't last like the old syrup did -- if it's a water solution, it can't.
Unless you are storing unused HC-110 for the apocalypse (which I admit feels more and more likely these days), I never quite understood the fascination with its supposedly decades-long shelf life. Isn't developer meant to be used, not stored on a shelf? And if you did happen to keep it for decades on a shelf, why risk it? Our time and equipment are expensive, and some images are irreplaceable, but developer is cheap. I mean, $30 for 1L of undiluted stock compared to the hundreds and thousands of dollars we spend on our equipment to get the best image quality? Maybe it's just me, but judging a developer solely on its shelf-life seems seems to be missing the point.
Exactly this. Probably the better comparison is whether the resulting image quality is the same between the old and new HC-110. By most accounts that I've seen, it is, but each person has to judge for themselves I guess. Anyway, I'm happily using LegacyPro L110, so I don't have a dog in the old vs. new HC-110 fight.I have a feeling that the new stuff will keep "long enough" for practical purposes. Will it last 15 years past date like the old stuff? Maybe not but...maybe that's not really worth bitching about.
I don't think anyone is trying to throw mud at anyone or any company.Exactly!
Its like searching for any excuse to throwing mud at the Kodak.
I don't think anyone is trying to throw mud at anyone or any company.
In my case the issue of longevity is more a concern because of my very infrequent use of the developer. Under my current use pattern I would likely go through a 16 oz bottle of L110 (or HC-110) in 3 to 5 years. If it lasts that long with no visible loss of potency then I am satisfied.
It would seem that is the underlying reason for most of the discussion here.
Unless you are storing unused HC-110 for the apocalypse (which I admit feels more and more likely these days), I never quite understood the fascination with its supposedly decades-long shelf life. Isn't developer meant to be used, not stored on a shelf? And if you did happen to keep it for decades on a shelf, why risk it? Our time and equipment are expensive, and some images are irreplaceable, but developer is cheap. I mean, $30 for 1L of undiluted stock compared to the hundreds and thousands of dollars we spend on our equipment to get the best image quality? Maybe it's just me, but judging a developer solely on its shelf-life seems seems to be missing the point.
Basically, indefinite shelf-life is there for total piece of mind. Far too many times I have used a developer that was dead (and wasn’t supposed to be). One time is all it takes, imagine a dozen.
Exactly!
Its like searching for any excuse to throwing mud at the Kodak.
Using glycerol will not save you from the presence of water in the solution, at all. Any "anhydrous" glycerol will be so for a very short time, as it will actively absorb moisture from the environment. It is very hygroscopic. Therefore, it is glycerol that is almost never used for the preparation of long-lived concentrates.The working stuff is dissolved in (I've read) glycerol, anhydrous, which means the phenidone doesn't ionize and break down. Any developer that has phenidone dissolved in water will break down in a fairly short period of time (a few months, generally).
Alas, I'll disappoint you. There will be no "new discovery". Sulfite dissolves in water. But...!Would be a new discovery, the first use of PG as a solvent for a metal sulfite in a film developer.
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