Test reports exist for cosmic rays, such as film subjected to a lot of airplane travel. But the reports I have found are only for color neg and color transparency film.
OTOH, from a practical point of view, there have been tests showing little difference between film buried deep underground vs. that stored more conventionally, and little observable difference could be seen. So while Kodak has mentioned cosmic rays, and the fact that they generally cannot be stopped, (some go thru the Earth), the difference that it might make to film fogging seems to perhaps be an academic discussion.
Probably the worst timed post I've ever done because the world is currently grounded. But unless you've been hiding under a rock, you'll no doubt be aware that flying poses a risk to your camera
austerityphoto.co.uk
In a study published in 1936,
http://www.cloudylabs.fr/wp/wp-cont...avy-Component-of-the-cosmic-ray-radiation.pdf
"In the 8500 photographs, a total of 80 tracks were observed that showed a markedly heavier ionization than an electron track."
Not exactly a high degree of affect...just under 1% observable!
A kodak statement on the topic, in the context of cinematography
https://archive.org/stream/Cinemato...de_Kodak_Motion_Picture_Camera_Films_djvu.txt
"10 9/00
Ambient-Background Radiation
(effects on raw stock)
Ambientgamma radiation is composed of two sources: a
low-energy component which arises from the decay of
radionuclides and a high-energy component which is the
product of the interaction of cosmic rays with the earth's
upper atmosphere. The radionuclides responsible for the
low-energy photons exist in soil and rock and are carried
into earth-derived building materials, such as concrete.
Upon exposure to ambient-background radiation, photo-
graphic negative materials can exhibit an increase in
minimum density, a loss in contrast and speed in the dark
areas, and an increase in granularity. The changes in film
performance are determined by several factors, such as
the film speed and length of time exposed to the radiation
before the film is processed. A film with an exposure
index of 500 can exhibit about three times the change in
performance as a film with an index of 125. While this
effect on film raw stock is not immediate, it is one reason
why we suggest exposing and processing film as soon as
possible after purchase. We recommend a period of no
more than six months from the time of film purchase
before processing, provided it has been kept under spec-
ified conditions. Extended periods beyond six months may
affect faster speed films as noted above, even if kept
frozen. The only way to determine the specific effect of
ambient-background radiation is with actual testing or
measurements and placing a detector in the locations
where the film was stored. The most obvious clue is the
observance of increased granularity, especially in the light
areas of the scene."