Oh gosh, freeze-thaw damage require water to make crystals. The whole idea is to keep water out completely. There is a right way to freeze
film and a wrong way. Some new film is well sealed inside its box, some is not. But in either case, you want to make sure moisture does not
get inside. I double bag even new film - and I mean bag I can completely twist-seal, not just zip-lok. Once film is opened, you have to extract
any humidity in the surrounding air before sealing it again. An inexpensive device that does this is a freeze-dry kit intended for food, about a
hundred bucks. But don't trust those heat-sealed food bags completely. At least double-bag. I have true heat seal museum material like they
use to store valuable C-prints frozen. It is a laminate of aluminum foil with heat-sealable polyethylene, and comes in big rolls. I've successfully used it for hermetically sealed print displays in high moisture environments (one surface also obviously has to be transparent;
but that's a complex subject in its own right). There is plenty of information out there if you take the time to do your homework. Go to
archival/museum info sources, and not just casual web input that is 75% guesswork. This kind of storage was perfected decades ago.
hermetic sealing of prints in risky moisture display