Lower league Nikons (F60 and so on) for example. The defaul ISO setting for non coded cassettes is 100. You certainly can compensate the exposure but to a limit and it's not practical at all because if you want to over rate the film by two stops and compensate an additional two stops you can't (that 4 stops compensation and no camera allows that). I wouldn't modify in any way a camera just to use Foma films, I'm not that fool!

And all that why? Because in 2015 Foma isn't unable to use coded cassettes? ABSURD!! As far as I'm concerned, Foma films reimain in the only place they belong to: the shelves of the foto shop.
The ONLY film I use is Foma, 200 and 400, and this has been my film of choice for many years, and will continue as long as Foma keep making films, the reason is simple, I like the results I get from them, I leave kodak and Ilford film on the shelf, I don't like them, so Alessandro, because you don't like what I consider a superior film don't knock them, many photographers use their film and enjoy them, as far as DX coding is concerned, none of the cameras I use need it, in fact it was not around when most of my Cameras were made, I have only 1 camera in my collection that uses DX, and I never use the camera, and when I did use cameras with DX coding I never used it, I have Yet to have a Foma film with a QC problem, the only problems are down to me, and that applies to Ilford and Kodak, not the films fault if the photographer makes a mistake, so you use the films you like, and I will use my choice of film, thank heavens we do not all like and use the same materials and equipment, the world of analogue photography would be a dull place if we did. As regards Foma customer service, I have requested info on nurmerous occosions by Email from them ovewr the years and have always had a prompt, polite and very full reply, normally within 48 hours, I once contacted Ilford for info, sent 3 Emails over 3 weeks, I am still waiting, 6 months later, for a reply, so they all make mistakes