I thought I had stated this clearly; at the end of the third paragraph of the original post.so I suggest that you check your rangefinder
did you have a look at the thread to which I provide a link in the last paragraph of my original post, especially the paragraph in italics by flavio81?the best way I have ever come across for checking focus...
I just checked another of my folders (Nettar). Indeed, there are "rails", but they are below the level of the rollers. Ditto on my super-Ikonta A. So, the pressure plate hits the rollers before the rails. I guess that position of the pressure plate (resting on the rollers) plus the natural concavity of the film just unwound from the supply spool, define the film plane, above the rails. So, testing with a ground glass on the "rails" carries some error. Similar issues are discussed in the link that I gave.this camera has obvious "rails" that the film rides on
Thanks for the head-up. I need to check that parallelism. The required accuracy I estimate as 1/300 radian approx 1/5 deg, corresponding to 0.1mm deviation from center to edge (30mm).the entire front shutter/lens assembly was not parallel or otherwise out-a-whack with the film plane
yes you are correct,they mesure from the scene with no focal plane adjustment, it makes no difference when the lens is stopped down, but wide open, when an old lens is not operating at it's best it can make a difference at closer distancesI would not expect any camera to have a gap between the pressure plate and the film rails that allows the film to float. Are you sure about that? Seems to defy logic in too many ways.
Unrelated question: is it true that accessory rangefinders measure from scen to rangefinder with no adjustment for the difference between rangefinder and fil plane. Not that it matters, but I’m wondering if my assumption is correct.
Thanks very much. As I suspected.yes you are correct,they mesure from the scene with no focal plane adjustment, it makes no difference when the lens is stopped down, but wide open, when an old lens is not operating at it's best it can make a difference at closer distances
I checked again earlier today on a Nettar. Machinist ruler resting on the rollers. Daylight is seen between ruler and inner rails (those one would expect the film to rest upon, not the outer ones, raised, that might act as lateral guides. And I'm not the only one who defies logic with facts: see this post: https://www.photrio.com/forum/threa...stment-focus-calibration.126327/#post-1670205I would not expect any camera to have a gap between the pressure plate and the film rails that allows the film to float. Are you sure about that?
How would the designer of the accessory rangefinder know what correction to apply for the TBD camera on which it will be mounted? And it's a small correction.is it true that accessory rangefinders measure from scene to rangefinder with no adjustment for the difference between rangefinder and fil plane.
This is true for some cheap 6x9cm cameras with a simple (meniscus) lens: the film guides are curved, absorbing the field curvature in at least in one direction.Seems to me that curvature of the film might be engineered into where the camera manufacturer defines the focal plane.
I think I'm wrong here....but I don't know any camera which calls it as the front of the camera. I thought it was always focal plane.
How would that be? I would expect emulsion side of film to rest on the two rollers and on the two side rails, all in one and the same plane. And the pressure plate to ensure that contact on 2x2 segments surrounding the image area, at a distance from the emulsion of film + paper thickness.the rollers are always on a slightly different plane than the film rails. It’s to facilitate film flatness
I did not call it a design feature for the classic folders. Just answering Bill Burk, and restricted to cheapo cameras, often made of plastic or bakelite.And to call it a design feature seems very odd to me.
Thank you Bill for pointing out this manual. This is (almost) the kind of info I was hoping for on this forum. Possibly by working on the numbers in the table I might be able to decide about the distance scale without close-up accessories. But i want to do this "off-line" and double-check.On Butkus there's manuals for Perkeo I and Perkeo II which tell how to focus with the Focar accessory lenses and you do measure to the front of the lens.
Your planar expectation is not my experience. Rollers are for smooth transport. Film rails are to establish the film plane.How would that be? I would expect emulsion side of film to rest on the two rollers and on the two side rails, all in one and the same plane. And the pressure plate to ensure that contact on 2x2 segments surrounding the image area, at a distance from the emulsion of film + paper thickness.
I did not call it a design feature for the classic folders. Just answering Bill Burk, and restricted to cheapo cameras, often made of plastic or bakelite.
I made a point light source, focused my Bessa II on 3.5 feet and put a ground glass on the film rails... Not saying it's accurate within .3 mm but we're talking a significant distance from front of lens to film plane.
I moved forwards and back until the ground glass image looked sharp and then measured, the front of the lens was around 40 inches (42 is 1.5 feet)...
Then I focused at 4 feet, and this time I set the focal plane at 48 inches. The image was distinctly unsharp.
Moved to where the front of the lens was 48 inches and the image was sharp.
I think Voigtlander measured to the fronts of the lens.
I do not think that is relevant: film and backing paper are between the guides and the pressure plate; you can make the same statement replacing "guides" with "rollers". In both cases the pressure plate is at the back, so rollers and guides "should" be in the same plane irrespective of the combined thickness film+paper.Backing paper is .004 inch (4mil) thick. Kodak and Ilford films are 4.5 mil thick, Foma 3 mil, Fuji 3.5 mil.
Is the gap you see between the roller(s) and guides greater than the bp+film sandwich?
Tension from the film winding will or should hold the film flat against the pressure plate making the image/film plane at the outer edge of the rollers.But, for a reason known only to them, the designers at Zeiss Ikon decided otherwise. I repeat/confirm that on both my 6x6 Nettar and my Super Ikonta A, the rollers stand higher than the guides, and the pressure plate is wide enough to press also against the rollers.
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