• Welcome to Photrio!
    Registration is fast and free. Join today to unlock search, see fewer ads, and access all forum features.
    Click here to sign up

Flat filmlook?

Recent Classifieds

Forum statistics

Threads
202,380
Messages
2,839,891
Members
101,301
Latest member
MuhammadIlyas
Recent bookmarks
0

Henrik Björklund

Member
Allowing Ads
Joined
Mar 12, 2020
Messages
5
Location
Sweden
Format
35mm
Hi! Im new here and I just started my Journey with analog photography. Nice to find this forum :smile:

A part of me like the flat, bright look to the pictures a little bit like Henry Wessels look.

How do photographers usually get this look? How they expose, filmstock or post work?

Im a newbie so hopefully someone can help me out a bit.

Thanks!
Cheers from Sweden
 

jimjm

Subscriber
Allowing Ads
Joined
May 2, 2007
Messages
1,238
Location
Port Townsend, WA
Format
Multi Format
Based on his contact sheets, he's just shooting 35mm Tri-X 400. Probably developing in something common like D76 or HC110. This is a combination that's pretty much bulletproof and will work in most any situation.
It looks like he's giving generous exposure and shooting in daylight situations, for the most part. There's probably not much editing here, just scans of the negatives or maybe straight prints.
At first glance, his shots don't look like much, but some of them are great and he's got a good sense of humor and timing. This is a good example of someone not letting the process get in the way of their instincts.

Welcome to Photrio!
 

Lachlan Young

Member
Allowing Ads
Joined
Dec 2, 2005
Messages
5,122
Location
Glasgow
Format
Multi Format
Hi! Im new here and I just started my Journey with analog photography. Nice to find this forum :smile:

A part of me like the flat, bright look to the pictures a little bit like Henry Wessels look.

How do photographers usually get this look? How they expose, filmstock or post work?

Im a newbie so hopefully someone can help me out a bit.

Thanks!
Cheers from Sweden

Several factors: a slightly lower contrast taking lens (I recall he often used a 1950's Canon 28mm RF lens); overexposure of the film (if tri-x, likely an EI of 200); pulled processing to reduced contrast (perhaps 8-9 mins in ID-11/ D-76 at 1+1, 20oC). That's about it. He may have printed on a slightly softer grade of paper too. The real skill is learning what sort of lighting conditions work along with this approach to exposure and process to give you the 'look'.
 
OP
OP
Henrik Björklund

Henrik Björklund

Member
Allowing Ads
Joined
Mar 12, 2020
Messages
5
Location
Sweden
Format
35mm
Thanks guys! You all know so much about this stuff. Appreciate it. Probably The california Sunshine helps with that look too? He mostly photographed in california i understand. He said he loved that Light...
 

BradS

Member
Allowing Ads
Joined
Sep 28, 2004
Messages
8,129
Location
Soulsbyville, California
Format
35mm
...snip... Probably The California Sunshine helps with that look too?...

No. Definitely not. For most of the year, the sun here is absolutely brutal for most of the day. Perhaps, he is out photographing early in the morning or late in the evening but otherwise, he's combating the harsh sunlight.

As Lachan has said, he's very likely giving more exposure, rating the Tri-X at EI200 or even EI125 and also giving much shorter time in the developer...perhaps as much as 20~25% less time in the developer. That's really it.
 
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom