If you use a re-halogenating bleach on a print that has not been selenium toned, you will have re-converted at least some of the silver back into light sensitive silver salts - similar to how they were when you first pulled the unexposed paper out of the envelope in the darkroom.
If you have partially selenium toned the print, you will have insulated part of the image from the effects of the bleach.
The percentage of re-converted salts present will vary with the:
1) strength of the bleach;
2) time that you bleached; and
3) the extent of the selenium toning - selenium toned silver doesn't respond the same way to the bleach, so if you have selenium toned to completion, there is nothing left to bleach.
So you need to figure out what to do with the light sensitive silver salts that are left in the paper after bleaching.
Assuming that your toning and bleaching steps were done in the light, the silver salts have been exposed to light.
If you want them to just go dark again, develop, stop and fix the paper again - it will end up similar to the result if you had never used the bleach.
If you want to remove those light sensitive silver salts, and its a good idea to do so, you need to re-fix and re-wash the print.
The reason to use HCA is to speed up the washing process, and to help ensure that the washing process is fully effective. You want to use HCA immediately before washing.
Personally, I prefer to bleach first, rinse briefly, then selenium tone, then wash completely. I don't use HCA, but that is because I use RC paper.
Hope this helps.