For regular pictorial use, it's a more challenging film than normal CN films. But personally I don't see why people would want to use this for regular pictorial use as there are way better alternatives for that;
As it turns out, I do aspire to use Phoenix and/or those Orwo films as general purpose films. Whether I end up doing that remains to be seen.
But why would I do that?
Because it's a hobby. If my goal was to maximize photo quality and ease of use, I'd shoot digital. Everything about this hobby (or any hobby) is about making my life needlessly difficult by creating self-imposed constraints, just for fun.
You understand intuitively why someone would want to work with a film that is completely incapable of rendering color. Maybe it's not so crazy that one may want to work with a film that struggles to render color. Aside from the fact that I really do wish to support Harman's efforts, the excess difficulty of working with a less capable film is precisely what makes it interesting.
the excess difficulty of working with a less capable film is precisely what makes it interesting.
Yes, it sounds really nice if you put it that way. I'll not get in your way trying it; there's plenty of things I could say on the topic, but I think I'd better not. Good luck & godspeed!
There's a decent chance that I might shoot a dozen rolls of Phoenix, find that I can't make it work, throw my hands up in the air and just order Kodak Gold. But even if that's what happens, I think I will be glad that I tried.
I do it because the process of developing is quite interesting and making darkroom prints is even more so but primarily I continue to do it because I know no other way and I like to have and to show prints on a person to person to those whom I know will enjoy looking at them. Oh, and I have no particular desire to scanBut why would I do that?
Because it's a hobby. If my goal was to maximize photo quality and ease of use, I'd shoot digital. Everything about this hobby (or any hobby) is about making my life needlessly difficult by creating self-imposed constraints, just for fun.
You understand intuitively why someone would want to work with a film that is completely incapable of rendering color. Maybe it's not so crazy that one may want to work with a film that struggles to render color. Aside from the fact that I really do wish to support Harman's efforts, the excess difficulty of working with a less capable film is precisely what makes it interesting.
Scanning is boring and I always felt that taking a digital picture of an analog picture was a really weird thing to do. --- I scan color because I don't have the tools or skills to enlarge color; I am barely getting started with B&W printing.Oh, and I have no particular desire to scan
However I am not sure I'd bother if it made my life needlessly difficult or gave me difficulties most of the time to get what I need.
I also would not want to work with material that I knew could never produce the kind of quality that similar products could, such as Harman Phoenix in its present state v Kodak colour film
Still different folks for different strokes as the saying goes
I believe that Phoenix can give you something that no other film can, but it's a bit like sourdough bread, in a way. It's so much more effective to first learn to bake a decent loaf using regular baker's yeast before facing the challenges of sourdough. The parallel isn't perfect, but perhaps you get the gist (and someone at some point will get this pun, haha).
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