First roll of Harman Phoenix photos up!

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dcy

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For regular pictorial use, it's a more challenging film than normal CN films. But personally I don't see why people would want to use this for regular pictorial use as there are way better alternatives for that;

As it turns out, I do aspire to use Phoenix and/or those Orwo films as general purpose films. Whether I end up doing that remains to be seen.

But why would I do that?

Because it's a hobby. If my goal was to maximize photo quality and ease of use, I'd shoot digital. Everything about this hobby (or any hobby) is about making my life needlessly difficult by creating self-imposed constraints, just for fun.

You understand intuitively why someone would want to work with a film that is completely incapable of rendering color. Maybe it's not so crazy that one may want to work with a film that struggles to render color. Aside from the fact that I really do wish to support Harman's efforts, the excess difficulty of working with a less capable film is precisely what makes it interesting.
 

bags27

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As it turns out, I do aspire to use Phoenix and/or those Orwo films as general purpose films. Whether I end up doing that remains to be seen.

But why would I do that?

Because it's a hobby. If my goal was to maximize photo quality and ease of use, I'd shoot digital. Everything about this hobby (or any hobby) is about making my life needlessly difficult by creating self-imposed constraints, just for fun.

You understand intuitively why someone would want to work with a film that is completely incapable of rendering color. Maybe it's not so crazy that one may want to work with a film that struggles to render color. Aside from the fact that I really do wish to support Harman's efforts, the excess difficulty of working with a less capable film is precisely what makes it interesting.

sometimes I wish we had a "like" button!
 

koraks

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the excess difficulty of working with a less capable film is precisely what makes it interesting.

Yes, it sounds really nice if you put it that way. I'll not get in your way trying it; there's plenty of things I could say on the topic, but I think I'd better not. Good luck & godspeed!
 

dcy

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Yes, it sounds really nice if you put it that way. I'll not get in your way trying it; there's plenty of things I could say on the topic, but I think I'd better not. Good luck & godspeed!

🙂

There's a decent chance that I might shoot a dozen rolls of Phoenix, find that I can't make it work, throw my hands up in the air and just order Kodak Gold. But even if that's what happens, I think I will be glad that I tried.
 

warden

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🙂

There's a decent chance that I might shoot a dozen rolls of Phoenix, find that I can't make it work, throw my hands up in the air and just order Kodak Gold. But even if that's what happens, I think I will be glad that I tried.

Rock on. It’s all about the enjoyment.
 

Agulliver

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Why is any of us doing this? Because we find it fun. And some of us like experimenting and/or like a challenge. Phoenix needs using with care and to my mind (or perhaps my way of doing photography) it isn't an everyday film...but for some that would be fun challenge. And people will have a lot of fun on the journey.
 

pentaxuser

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But why would I do that?

Because it's a hobby. If my goal was to maximize photo quality and ease of use, I'd shoot digital. Everything about this hobby (or any hobby) is about making my life needlessly difficult by creating self-imposed constraints, just for fun.

You understand intuitively why someone would want to work with a film that is completely incapable of rendering color. Maybe it's not so crazy that one may want to work with a film that struggles to render color. Aside from the fact that I really do wish to support Harman's efforts, the excess difficulty of working with a less capable film is precisely what makes it interesting.
I do it because the process of developing is quite interesting and making darkroom prints is even more so but primarily I continue to do it because I know no other way and I like to have and to show prints on a person to person to those whom I know will enjoy looking at them. Oh, and I have no particular desire to scan

However I am not sure I'd bother if it made my life needlessly difficult or gave me difficulties most of the time to get what I need.

I also would not want to work with material that I knew could never produce the kind of quality that similar products could, such as Harman Phoenix in its present state v Kodak colour film

Still different folks for different strokes as the saying goes

pentaxuser
 

dcy

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Oh, and I have no particular desire to scan
Scanning is boring and I always felt that taking a digital picture of an analog picture was a really weird thing to do. --- I scan color because I don't have the tools or skills to enlarge color; I am barely getting started with B&W printing.

However I am not sure I'd bother if it made my life needlessly difficult or gave me difficulties most of the time to get what I need.

I also would not want to work with material that I knew could never produce the kind of quality that similar products could, such as Harman Phoenix in its present state v Kodak colour film

Still different folks for different strokes as the saying goes

I think most of us can point to something we do that "could be easier" but we like the challenge or experimentation. Maybe it's cooking meals from scratch. Most of us can also point to something other people do that looks like a huge amount of hassle and a miserable way to live.

This is to say, I do have a threshold of how much hassle I'm willing to accept, vs how much I enjoy experimenting and trying new things. Right now I have no personal experience with Phoenix and I'm feeling curious. I've seen other people post images online that I like. But if I find that I don't enjoy using it, I'll just stop and I'll be happy I gave it a shot.
 

koraks

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Give Phoenix a try; it's certainly unique. If you find it gives you results you don't like, move on to something else, then maybe revisit it some time later one when you've figured out what makes Phoenix so unique to begin with. That was the (perhaps poorly expressed) thought behind my earlier post. I believe that Phoenix can give you something that no other film can, but it's a bit like sourdough bread, in a way. It's so much more effective to first learn to bake a decent loaf using regular baker's yeast before facing the challenges of sourdough. The parallel isn't perfect, but perhaps you get the gist (and someone at some point will get this pun, haha).
 

Agulliver

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Fully agree with @koraks
Phoenix does give you something no other film currently does. And while it doesn't generally suit my way of doing photography, I've shot three rolls and got some truly excellent photos from about half the shots. Not necessarily accurate colours, but visually very appealing and artistically quite unique images. I think if I were to shoot more, I'd develop a technique specifically for shooting Phoenix to get the best out of it.

I think I'll come back to Phoenix when Harman have improved it significantly. It's quite amazing that it exists at all. And it certainly is possible to get good photos out of it "as is".
 

dcy

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I believe that Phoenix can give you something that no other film can, but it's a bit like sourdough bread, in a way. It's so much more effective to first learn to bake a decent loaf using regular baker's yeast before facing the challenges of sourdough. The parallel isn't perfect, but perhaps you get the gist (and someone at some point will get this pun, haha).

Ha ha. I like the parallel. My first attempt to make bread at home was indeed to make sourdough. It was fun, but soon enough I decided it was too much hassle and started making regular bread with store-bought yeast.
 

koraks

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When you're just starting out with sourdough bread, it helps to have a hacksaw on hand that is dedicated for kitchen use. The bread's flavor tends to be OK, though. Sorry, I digress.
 

Agulliver

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To be fair, Phoenix came along after I had more than 45 years of experience with film and my formative years were sticking to FP4, Kodacolor and a other standard 100ASA C41 print film. About five years in, though still aged only 9, I started experimenting.
 
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