MikeS said:
David:
without the shade, the filter holder works fine, doesn't cut off the corners of the image?
Yes, if I take off the shade and just use the filter holder, I don't have problems with the 90. With the 135, it depends on how much movement I use. If I've got a lot of front rise on a vertical, for instance, I'll unscrew the shade with the 135 too.
MikeS said:
Speaking of the Linhof slip in filters, do you know if there's any documentation of filter equivalents? I have a Linhof Red filter, a Green one, a yellow one, as well as warming / cooling filters, but don't know what filters they're equivalent to. Is the Red a #25 or a #29, etc.
Linhof filters are made by Heliopan, so you can just go to the Heliopan website to get the filter factors or e-mail Bob Salomon, and he'll send you a chart.
The warming series (KR) are red, unlike the 81 series, which are more orange. I prefer the KR series, myself. I use KR 1.5 like I would use an 81A (open shade, overcast light, or to remove the slight blue tendency of one batch of Astia that I have), KR 3 is about like an 81B (forest cover, heavy shade + overcast), and KR 6 is good for window light indoors. KR 12 is for shooting tungsten film in daylight conditions. I don't find myself needing the cooling filters too often, but KB 12 is like 80A for shooting daylight film in tungsten conditions.