Films / Papers That you would horde

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Brac

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McPhotoX said:
I would like to get some EFKE film also, but its been out for a VERY long time.

Efke is very much alive and kicking though it seems to be changing over to being branded Adox. Available mail order in US from J & C and in UK from Retro Photograpghy and no doubt elsewhere.
 

htmlguru4242

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I agree with most people on the fact that I most likely wouldn't horde anything. However, if I were to do so, it would be Kodak HIE and Efke KB25 as it is the last good ISO 25 out there that I've found. I might horde Kodachome, though, chances are, if the film dissappears, so will the processing labs & chemicals.

The other thing would be D-76, as it is my main developer. I don't know of another supplier that makes good stuff,so without D-76 I'd have to really adjust alot of my processing.

And hmmm ... that's interesting anout hte color rendition of APX 100, I've never seen colors on a B&W film! I agree with Mark, please elaborate :smile:
 

srs5694

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htmlguru4242 said:
The other thing would be D-76, as it is my main developer. I don't know of another supplier that makes good stuff,so without D-76 I'd have to really adjust alot of my processing.

Ummm... you are aware that there are lots of companies that make D-76, usually under another name. Ilford's ID-11, for instance. I believe Freestyle sells a D-76 clone under their house brand. The D-76 formula is also well known, so mixing it yourself isn't a problem. Of course, there are some small differences between these products because of proprietary additions, but they should all work about the same.

htmlguru4242 said:
And hmmm ... that's interesting anout hte color rendition of APX 100, I've never seen colors on a B&W film! I agree with Mark, please elaborate :smile:

I didn't make the original comment, but I took it to mean the spectral sensitivity of the film -- as in, how dark or light will a patch of a given color and brightness be in APX100 vs. some other film.
 

jimgalli

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srs5694 said:
Ummm... I didn't make the original comment, but I took it to mean the spectral sensitivity of the film -- as in, how dark or light will a patch of a given color and brightness be in APX100 vs. some other film.

As did I. For instance Efke 25 doesn't see nearly any red at all. So a red head with freckles would end up having very dark hair and nasty dark freckles. Probably not what she would be after. While Kodak Aerial Recon Panatomic X with the extra red sensitivity and perhaps an orange filter would make her look like a blonde and make her freckles nearly go away. She'd love you.
 

avandesande

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This is why it is so popular for portraits, people lips are darker and appear more realistic with this film. A nice feature except for the occasional redhead.

jimgalli said:
As did I. For instance Efke 25 doesn't see nearly any red at all. So a red head with freckles would end up having very dark hair and nasty dark freckles. Probably not what she would be after. While Kodak Aerial Recon Panatomic X with the extra red sensitivity and perhaps an orange filter would make her look like a blonde and make her freckles nearly go away. She'd love you.
 
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I bought a roll of Kodak RC paper, 500ft. of 5" wide Polymax or Polycontrast, I forget.
It is/was awesome stuff for a quick print. It was as if my negatives would just print with an absolute minimum of fussing on this stuff. I made many, many 5x7's on this paper that I love. I would have horded several more rolls of this paper in a heartbeat.

Would/will horde tri-x.. Actually, will horde whatever I can get for cheap.
 
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If I hit the jackpot here at our local "racino" in upstate ny, I'd horde hasselblads, tri-x, velvia, and polaroid type 55, and a few boxes of ilford multigrade fb for good measure.
 

pgomena

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I did hoard a load of APX 100-120, enough to last me for a few years at my current rate of consumption. The only reason I did it was that I'd tried it and got results I loved only months before rumors of Agfa's demise. Considering the previous Ilford scare, I figured it was grab it while it was available. It's snoozing happily in my freezer. I sure hope someone brings Rodinal back.

I think that a better accumulation strategy is a "dollar-cost-averaging" strategy. When Ilford was looking shakey, I developed a habit of buying a 10-pack or two of my favorite Delta 100 every time I went into the photo store, whether I needed it or not. Sometimes it was Delta and Pan F Plus.

That way, I had a stock of film on hand, and if it looked as though the manufacturer was going to tank, I could put in a quick order for a bigger supply. I pretty quickly built up a stock of film without having to lay out a huge wad of cash all at once.

What would I hoard now? Well, Tri-X being fast might not keep as well as slower films, so I wouldn't hoard much. I seem to have developed a fetish for MF cameras, though, and I might not be through experimenting with exotic specimens. Seems to be no shortage of Holgas . . . Diana???

Peter Gomena
 
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kunihiko

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I thought I could find another, but now I know I should have bought more sheets of New Seagull G.
I don't worry about films. Even If all films disappered, I can live with my negatives printing them again and again. It won't happen, though.
 
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